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do 4003 rickenbacker basses now have cream binding?

Dec 10, 2020
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this past year, and late 2020, rickenbacker has been making a whole bunch of model changes. i’ve been GASing for one, and i’m just trying to sort of get my bearings on what’s what with their current models so i can know what i’d be getting myself into.

so… applying to all models, i know there is no more fretboard finish. got it. also applying to all models, black knobs and an updated bridge. also got it. but i’ve heard stuff about cream binding? is the binding cream now, instead of it’s usual white?

here’s a few images i just got of someone’s bass (with all of the current updates, so it’s a very recent model) posted early last month, saying they just got it, and it seems to feature stark white binding.

but there’s also a thread a few months back talking about how their new jetglo 4003 has cream binding, and the comments say it’s the new norm.
 

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I can’t give you a definitive answer, but here’s some input that may help:

My 4003 MBL was made the 26th week of 2020. Notice in the picture that the binding is noticeably less white than the pickguard. Is it cream? Is it just a different shade of white? You be the judge.

20CAADEC-7982-4A10-9FCE-B658D9209159.jpeg
 
I can’t give you a definitive answer, but here’s some input that may help:

My 4003 MBL was made the 26th week of 2020. Notice in the picture that the binding is noticeably less white than the pickguard. Is it cream? Is it just a different shade of white? You be the judge.

View attachment 4527204
seeing a bunch of other rickenbackers of the current batch, late 2021, i think your bass may be some kind of outlier. i’m not sure how rickenbacker does their finishes, but your bass may have been more yellowed than the others around the time because all the other examples don’t seem to be so cream.
 

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seeing a bunch of other rickenbackers of the current batch, late 2021, i think your bass may be some kind of outlier. i’m not sure how rickenbacker does their finishes, but your bass may have been more yellowed than the others around the time because all the other examples don’t seem to be so cream.

Really, I hadn’t thought to look at the binding color until I saw your post. It’s such a subtle difference that I may have never noticed.
 
I gotta’ say though, I’m loving the v2 bridge and unfinished fretboard on mine. Those are two changes that make me love this one over older Rics I’ve owned!
i don’t mind those two as much. at first i was miffed about the fretboard, because i always thought that was the coolest thing ever. it made it feel really special. but then i started thinking about how impractical it is to refret (and how yucky it must get after you play it forever) and how there were probably tons of guys in the 70s who took their ric for a refret and kept the board unfinished. i’ve heard comments about how much better their bass played when they did it.

though, do the inlays get messed up now when you play with rounds?? i imagine the finish had some level of protection for them.
 
…though, do the inlays get messed up now when you play with rounds?? i imagine the finish had some level of protection for them.

Unless a player has a fretting hand technique that includes mashing the strings down unnecessarily hard, the strings shouldn’t really touch the inlays. Case in point: Do you see Jazz Basses with damaged block inlays?
 
Unless a player has a fretting hand technique that includes mashing the strings down unnecessarily hard, the strings shouldn’t really touch the inlays. Case in point: Do you see Jazz Basses with damaged block inlays?
true! didn’t think about that. but then again, fenders are fenders. i saw a video the other day of a guy talking about how he ran over his precision bass from bridge to nut in his truck. the frets were all but dead, but when he played the dang thing it was still in tune! :bassist:
 
this past year, and late 2020, rickenbacker has been making a whole bunch of model changes. i’ve been GASing for one, and i’m just trying to sort of get my bearings on what’s what with their current models so i can know what i’d be getting myself into.

so… applying to all models, i know there is no more fretboard finish. got it. also applying to all models, black knobs and an updated bridge. also got it. but i’ve heard stuff about cream binding? is the binding cream now, instead of it’s usual white?

here’s a few images i just got of someone’s bass (with all of the current updates, so it’s a very recent model) posted early last month, saying they just got it, and it seems to feature stark white binding.

but there’s also a thread a few months back talking about how their new jetglo 4003 has cream binding, and the comments say it’s the new norm.
I bet it was my thread.

cream is maybe a strong word… but it is somewhere between white and cream on my early winter 2021 jetglo. And good photos from the likes of some big online dealers were the same. Maybe it was a temp thing to use up supplies (same binding on my 2020 limited run 4003 with a toaster, cb binding, and flamed maple body with amber monty brown.)

at first i was upset because i wanted that black white look… even if i knew the binding would eventually yellow. But quickly it was a non thing. I like the modern changes.

i will be curious if they again swapped back to “white” binding. But i warn this: i can make it look white or cream based on how i photograph it. An the op photos are not high enough quality in my mind to judge.
 
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i don’t mind those two as much. at first i was miffed about the fretboard, because i always thought that was the coolest thing ever. it made it feel really special. but then i started thinking about how impractical it is to refret (and how yucky it must get after you play it forever) and how there were probably tons of guys in the 70s who took their ric for a refret and kept the board unfinished. i’ve heard comments about how much better their bass played when they did it.

though, do the inlays get messed up now when you play with rounds?? i imagine the finish had some level of protection for them.
I was initially turned off by the “unfinished” fretboard… cause rics have finished fretboards. That lasted 24 hours. Now i prefer the look. I wish all my rics were unfinished.
 
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Real “cream” binding is that hideous “ Caucasian Baby Doll Flesh” color you see on some Gibsons. Almost a pink color. I’d call that Ric binding “ivory”, but if you order “cream” binding you might get either one, the term being flexible by vendor. It may not be the binding at all, but the clearcoat. I don’t know if it’s true, but supposedly they finally dropped that UV clearcoat that’s been peeling off for 10+ years. If the new clearcoat has any ambering effect, that might be what we are seeing. The old 60’s and 70’s clearcoat always yellowed like that over time, sometimes the binding looks bright yellow. I like it, the stark white binding looks good on a Jetglo, maybe not as good on transparent finishes like Fireglo. Or the Walnut basses. The heavy laquer on the board looked nice… for a while. It always eventually started separating away from the frets through inevitable difference in expansion/contraction. They couldn’t crown the frets because the finish “ramped” up the sides, so they filed the fret tops flat. Oddly, they carried that crappy flat fret filing onto the new unfinished boards because…. Ric. After decades of tiny, incremental changes, this counts as an avalanche. Now if they would just ditch that crappy double trussrod system in favor of a single modern DA rod……..
 
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I bet it was my thread.

cream is maybe a strong word… but it is somewhere between white and cream on my early winter 2021 jetglo. And good photos from the likes of some big online dealers were the same. Maybe it was a temp thing to use up supplies (same binding on my 2020 limited run 4003 with a toaster, cb binding, and flamed maple body with amber monty brown.)

at first i was upset because i wanted that black white look… even if i knew the binding would eventually yellow. But quickly it was a non thing. I like the modern changes.

i will be curious if they again swapped back to “white” binding. But i warn this: i can make it look white or cream based on how i photograph it. An the op photos are not high enough quality in my mind to judge.
well you know, i saw yesterday a guy who contacted rickenbacker about the current use of black knobs. interestingly, rickenbacker replied not by saying “this is a new design feature”, but instead saying that because of covid’s effects on getting necessary supplies, black knobs will be used until further notice.
 
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well you know, i saw yesterday a guy who contacted rickenbacker about the current use of black knobs. interestingly, rickenbacker replied not by saying “this is a new design feature”, but instead saying that because of covid’s effects on getting necessarily supplies, black knobs will be used until further notice.
I had my shop contact ric for clarification also… what i got was “design features have changed”


But if it truly a supply issue… i have a limited run collector “covid bass.” Score!!!

Also, if many complain about the changes… ric will swap back
 
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looking at tons of pictures from the 70s with geddy or whoever else using rickenbacker basses, the binding already looks slightly tinted yellow. so, if it’s yellowed a little i don’t think it’ll be a huge issue for me personally. i wonder if it really is the clear coat.
 

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