The waves of the bass fequencies may be to close together for you to hear the articulation, but from a few more feet away, the waves may smooth out into a more stabalized pattern, thus sounding better to your ears.
Lol.
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The waves of the bass fequencies may be to close together for you to hear the articulation, but from a few more feet away, the waves may smooth out into a more stabalized pattern, thus sounding better to your ears.
...omg...they're serious, aren't they?
The amp seems to rumble and boom but I couldn't find a pleasing punchy tone for the life of me.
I think you choose to misinterpret what all the joking was about. At least as far as I am concerned it was not about your post. But maybe you felt neglected at that point. Stick around long enough to understand what's what.
Summary? EQing some bass out or maybe more importantly, getting more midrange to your ears rather than your knees will be a big aid. One problem with combos is they often have too small a box compared to what the speakers inside them would really like to see. This usually forces a big hump in the upper bass response, making them boomy. That's often true whether dealing with a 15 or with 12 or 10s. But some tilting the combo upward or getting it up on a stand, and some EQ smarts, and you can often combat these tendencies.
So the advice was there in the start of the thread, though it kind of got hidden by the jokes once it had been dealt with.
{...} I wonder what would happen if you put a drop of that liquid in the bottle of magic stones .....
I had a TE combo and found the same thing. I got rid of it. I think they are "The best amps for metal!!!!"
The one I had was just insanely powerful and I could not tame it and get rid of the booming.
The stones get bigger and the rest uh, reacts to the cold dampness.
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Try switching or turning off the TE "Pre-Shape" button. If you're not familiar with it's function, it engages a factory preset EQ curve. There are two varieties which you can switch between (EDIT: the newer versions only have one pre-shape): one is the "classic Trace" sound which notches out some lo-mids to give it more of a scooped sound and the other has a more mid-based tone where the lows and highs are somewhat attenuated. The scooped sound is super cool but it carves out a substantial amount of lo-mid content leaving you with the boom you're struggling with.
You can approximate the tone of the pre-shape but to a lesser degree by using your graphic eq to dial out a little 250 and 500Hz and slightly boosting 50Hz and 5KHz.
Now we should ask you a few questions about your rehearsal conditions:
- Are you tilting your amp back? If not, you should. In fact, getting your amp off the ground entirely can do wonders (use a sturdy chair or a milk crate to test this).
- Is the floor in your rehearsal space carpeted or a hard surface? Oftentimes putting a rug in front of your amp will help lessen some of the early sound reflections coming off the floor.
- Have you done any sort of acoustic treatment in your rehearsal room? Bass trapping in all the corners will clean things up dramatically. Do a google search for "superchunk bass trap" for a cost effective DIY solution.
I once had an Eden rig that I thought was way too boomy until I played it in a treated rehearsal studio.
wow you guys in the amps section sure know how to make a guy feel belittled. I don't know if you meant to and I should have been more clear in my first post but it's safe to say I worked the amps eq from all subtle variations to completely cutting and boostin the frequency bands to try and coax some articulation from it for the whole 3 hour duration of the practice to no avail, just mud
I was only seaking some advice as to whether this is a common 1x15 experience or if for instance a cab with smaller speakers would sound tighter.
Sorry for thinking you guys might genuinely want to help out someone who doesn't know verything about amps.
Definitely look into this. I suspect that we both have the same preamp (you mentioned a seven band; the GP7SM?), and the selected pre shape is a HUGE part of initial tone shaping. The 'classic Trace' shape (#1 on my amp) may eliminate a lot of the boominess on its own.thanks, I never use the preset tone shape button...