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Do most pros use boring color basses?

Most bassists I see are playing Fender instruments that are white, black, or sunburst. I hardly ever see red, LPB, or some pastel color. Has me wondering if it is on purpose?

  • Flashy colors attract attention which is not what the bass is supposed to do.
  • Those safe colors work in all situations.
  • Those colors are "expected" and pros deliver what is expected.
  • Those common colors are easier to replace should you need to do something quick.
Or, of course, my conclusion may be incorrect due to insufficient sample size!
I'm a woods/coffee table bass guy, I can't think of anything more unappealing than a plain black bass.
 
It's getting a little late in the day for this kind of gig, but if I could work the gentleman's club circuit, I'd want one of these. DiPinto Belvedere. Move to Atlanta, get me a condo on the Buford Highway, Play 3 nights a week at the Clermont Lounge. The more I think about it, the more I want to do it.
PS: One person's boring is another person's playing it safe, for a reason. Usually money.

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That is most righteous. Those are tone monsters. I used to have a Belvedere Standard in gold, and I played some of my favorite gigs on that bass, including a show where my band preceded Chris DiPinto's, so he saw me play it on stage. It sounded fantastic. The neck was excellent too, but I didn't like the long reach to first position when standing. My Fenders and G&Ls were more comfortable on stage, so I eventually sold it. Too bad they're out of production.

I like bright colors, and nobody has ever complained about my Chrome Red/maple Fender Jazz.

But there is a nice middle ground between super bright finishes and the typical black, white, and burst: darker metallic colors. I love the Ruby Red Metallic on my G&L M-2500 and the Midnight Blue on my G&L JB. The Ruby Red is probably my favorite.

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I suspect it mostly has a lot to do with the Don't Attract Attention thing. If the bass player is not the star, they are expected to blend into the background. Adam Clayton or Gene Simmons or [insert name of nearly any famous rock bassist] can show up with a flaming hot flourescent pink paisley Explorer-shaped monstrosity and fans will go gaga over it...but when Neil Stubenhaus has to appear onstage behind Celine Dion at the Academy Awards telecast, you can bet he's going to play something modest, subdued, and anonymous. 'Cuz he needs to disappear, visually.
We should all have that last problem!
 
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First, a true white bass doesn’t “blend in” that much in most environments.

Others have mentioned counter-examples; I’ll add Nikki Monninger with her red Thunderbird.

While most of my playing is unpaid, I do get paid gigs now & then and no one has had a problem with my red or white[1] Thunderbird. My tobacco bursts get played out the least. The purple sparkle just came in this week so hasn’t been an option - that’s about to change.

[1] in your face white, not an off white.

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First, a true white bass doesn’t “blend in” that much in most environments.

Others have mentioned counter-examples; I’ll add Nikki Monninger with her red Thunderbird.

While most of my playing is unpaid, I do get paid gigs now & then and no one has had a problem with my red or white[1] Thunderbird. My tobacco bursts get played out the least. The purple sparkle just came in this week so hasn’t been an option - that’s about to change.

[1] in your face white, not an off white.

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T-Birds: neck shapes are really great! Also, maybe the second looking coolest basses out there. I had a Cherry Bird, but wanted a White one, which I couldn't find at the time.