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Do you have the one that could be, your ONLY one?

In my case, it's my very early USA Lakland Glaub. I could have no other basses ever again, and be happy, AND covered as far as what I need a bass to do.

I have a 90's MIJ JBass (the infamous "squier series" Fenders with one-ply pickguard and strat knobs) that has been my only one a few times in my career. I guess I could get rid of the others and string the JBass with mellow rounds and cover most of everything that way. It's so nice to play, and sounds so good, ugly as it is.
 
I've worked on building my collection over the last couple of years to a bunch of basses that I truly love pretty much equally but I would be very happy with any one of them if I had to narrow down to just 1. I have 5 fretted and 1 fretless that I regularly use. On any given night I will use at least 3 of them during my practice session. If I had to pick just 1, it would probably be this one as it is just a bit extra special to me:

View attachment 4256941

This is doooooope!
Must look absolutely stunning on stage
 
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I'm surprised by the lack of love for MusicMan here, I have a hard time playing anything besides my special now. It rules in the studio (pretty convincing p with flats and nails the jazz tone), live it looks incredible, sounds great, and it's easy on the shoulder.

Lots of amazing basses and rigs here though! The best choice is all personal preference anyways, way too many variables for one bass to rule them all.
 
My #1 is still my #1 but time and life have forced me to move to a 30" scale and completely relearn my left hand after being forced to accept I can no longer cover four frets with four fingers on my 34" #1. I can play simple stuff but my little finger on my left hand can hold down a string or stretch away from the rest of my fingers, but it can no longer do both things at once. Fortunately it does not have to do both to work on a 30" scale, but i'm learning to no longer assume the same will be true down the road so I'm adapting to only using three fingers on my left hand.
i'll keep my #1 and will continue to work on my left hand, and if I ever get to where i can play well enough that way, i'll go back to my 34" bass, but for now i'm a 30" scale guy whenever i'm called to play.
 
I was a big fan of the Kramers in the day - this is my late 70's DMZ 5000. Had a ton of knobs and switches (sorry, my arm's covering most of them) and despite that, it was still a passive bass. Beautiful, high grade black walnut body, this thing roared through my older Acoustic 370/SVT 8-10" rig. It just has a presence and punch that's hard to explain. I also owned a DMZ 4000, which had a single DiMarzio ,and active. Now that was a real beast, by far the most powerful preamp I've ever experienced - you flipped the active toggle switch and it sound like bass pedals being turned on! Regretfully sold that. But yeah, despite being a heavy bass, this is my nostalgic favorite.View attachment 4257068
Proudly owned one in my young adult years. Stupidly jettisoned because young adult.
 
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Sandberg California TM5 SL is my only Bass and it's difficult to justify really needing anything else, I've owned 5 basses (including Fender, Dingwall, Ibanez) and this one is the best at doing everything well. It's versatile with the J/MM pickups (and the MM humbucker can be switched to single coil), active/passive, low action and good balanced tones across the strings, it's comfortable and enjoyable to play and very light too. It can do a good Motown Thump, heavy Reggae Bass, decent slap/pop, and good output and sustain for using distortion/fuzz pedals. The only thing I think it's missing is an active Mid EQ control.

.......saying that though, I am going to make it more specifically set up for Reggae/Dub with Flatwounds and a higher action so I expect I'll then be tempted to get a 4 string with low action and light & bright Roundwound strings for Funk/Slap.