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Do You Play a Fender Because It's Expected?

I was watching Stu Hamm on a video recently where he told the story of him turning up at a studio to do a recording. He brought his Alembic along. The producer saw the Alembic and said "Great looking bass, I'm sure it sounds great too - but can you go home and bring a P-Bass because that will at least look the part".

I have two Fenders: An Am Deluxe Jazz and an Am Std P. In all honesty, I bought both of them because they are must-haves that are jointly responsible for the vast majority of recorded music over the last 50 years.

How many of you own Fenders simply because your audiences or producers expect it?
 
I don't play a Fender at all. Maybe I will someday, but maybe not.

Either way, someone who cares whether or not I play a Fender is not someone I want to make music with (although admittedly I am not a "session" pro, so I don't find myself in positions where my livelihood may be contingent upon being willing to swap basses).
 
I play MIA Fenders because I like the feel, tone, quality and the way they look. I also have a couple of Alembic and Spectors.

Some people love Fender, some hate them. The same is true for every product ever produced.

My opinion has always been to play what you like regardless of what anyone else thinks.
 
I have a Geddy Lee because when I was searching for a passive jazz this bass spoke to me. I will probably hang on to it because it is nice to have a basic jazz at my disposal - and I'd only get $700 if I sold it so...

I have a Roscoe fretless 5 and am getting a fretted 5 built. These will be my basses. Fortunately, where I live people aren't as particular. They seem to hire the player, not the gear.
 
"Do You Play a Fender Because It's Expected?"

Nope, I don't.
I don't know if it matters, but, my Sadowskys, Nordstrand, Alleva, Valenti pretty much look like Fenders.

I will say this: if I'm going into a new, strange job I don't know anything about, I take my Fender 57PRI.
 
I got a squirt p-bass because I figured it was one I had to have as a bassist. But I figured it was one I was gonna rip apart and mod the crap out of. So I only got the affinity series one. That's the only fender/squire I own.
 
I am not really playing Fenders much these days as I am leaning toward a more modern sound that I get from Modulus, Spector and MTD and I am mainly playing 5ers.

Having said that, I still love my 1974 P and 1973 Jazz basses and if I was still recording in the studio, these are the basses I would bring.

Fenders IMO sound great recorded and producers are so used to EQing Fenders that it is a pain to use much else. If you are paying for the studio time, knock yourself out and bring a doubleneck Alembic, a Ritter and a Wishbass! If someone else is, I say bring a Fender.
 
Nope. I own and play my Fender Geddy Lee JB because I like it. It has what I like about JBs and it's passive. I also have an SX 75 JB copy. I 'm keepin both forever.
 
i have never owned a fender
however, i do own a type of p-bass; everyone should have one because chances are you will use it more often than not.
i kinda see fender as the harley davidson of guitars-may not be the best, but they are iconic, has a certain credibility attached and will work in most situations.
in some instances it may give you respect that you didn't earn; i know this is true with owning a harley-it just comes with ownership