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Do you run your bass' volume control wide open?

volume-knob-11.jpg
 
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I don't if this should be in "Basses" or "Pickups", but here goes:

I gig with two basses, one active and one passive. I used to play with my bass' volume control all the way up all the time.

But in our current band the drummer can go back and forth from brushes and all kinds of mutes to big stick banging. So I really have to ride my volume knob.

I feel like my bass is losing its edge and presence when I turn it down. Is it? Or am I imagining this?
Not at all. I play Fender passive basses with VVT controls. They are wide open, always for that very present clear sound. (I said clear, not necessarily trebly) That said, my choice of amps have very good tonal controls. Eden WT amps only require a slight boost at 165hz. My Mesa WD-800 requires a significant cut in the upper and high mids.
 
I play music that has a LOT of dynamics (church gigs). Yes, I know how to control dynamics with my technique, but in my world, that really isn't enough - we go from a full roaring rock band volume to "underscoring" - playing soft music underneath someone talking on stage with us - none of the gigs I did in clubs ever had that kind of dynamics. My volume control, in a set of 4 to 5 songs, ends up wide open at a passage or two - the climactic moment (maybe two) of the set. Otherwise, it's backed off, sometimes way off.
 
Why the fock would I want to turn my volume down ?
🤔⁉️
Exactly - maybe if I was playing in a Metallica tribute band.

Seriously, I don’t use the volume knob.

On basses where I’m modifying the electronics and don’t want to drill another control location, I just omit the volume pot.

If I want less volume, I play more softly.
If I want no volume, I hit my tuner pedal.
 
On a 2 pickup bass I tend to run the neck pickup 100% and the bridge pickup about 80% or so. Except the Jerry Jones (double lipsticks)- that sounds best to me volume maxxed and middle switch position (both on).
 
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I play music that has a LOT of dynamics (church gigs). Yes, I know how to control dynamics with my technique, but in my world, that really isn't enough - we go from a full roaring rock band volume to "underscoring" - playing soft music underneath someone talking on stage with us - none of the gigs I did in clubs ever had that kind of dynamics. My volume control, in a set of 4 to 5 songs, ends up wide open at a passage or two - the climactic moment (maybe two) of the set. Otherwise, it's backed off, sometimes way off.
Exactly. That's what my original post was about.
 
I feel like my bass is losing its edge and presence when I turn it down. Is it? Or am I imagining this?
Most basses do lose some of the upper mid peak when the volume is rolled off. With a carefully designed treble bleed circuit, you can compensate for this - you can even design it to give you more edge and presence when turned down, if you want it to. It' s not something you will find on a stock Fender, but I have that on most of my basses, and it is helpful - without it, you will naturally turn up to tory to re-capture the "snap", which means you end up destroying the added dynamic range benefit of playing backed off most of the time.
 
If everything is loud, you lose the impact that you can get from having a loud passage within a tune where the rest of it isn't balls to the wall. If you're an ACDC tribute band, loud all the time may work, but other material may demand more dynamics.

T'was a joke man!
Still, I play with volume at max.
I'll get my dynamics by playing softer when needed, not louder.
If tone is in the fingers, volume also is!
😉
 
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You could adjust the gain on your amp. Passive basses will lose a bit of treble if you turn it down, unless you install a treble bleed circuit.
I mostly open up all volume controls on my bass. I often only use 1 pickup on a 2-pickup bass, and I turn the unused pickup to 0 and the used pickup to 10. Sometimes I roll back one pickup on a 2-pickup bass for subtle blending and less mid scoop, but the other pickup is always on 10.
 
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