I felt the same way until my Yamaha 2025X. The blended tone is tremendous.
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That Ric!!! droolMy Power Jazz Bass Special is one of my favorite basses it’s got a reverse p in it which sounds awesome soloed or with both pickups on. I had a modern player Jaguar for a while and I didn’t really care for it all that much. Mostly just left the jazz pickup off. The reverse p pick gives it a little extra something that really makes it work well. View attachment 3094155
I agree with your thesis; but the "J pickup as an enhancement to the P" doesn't bother me. Sometimes a P sounds too tubby and I like a little edge on it; that's what that design does.I have an issue with PJ basses in that most are P basses with an afterthought J pickup.
However, the best one I did play was a squier VM precision that had a dimarzio model j in the bridge, and that bass was awesome.
Basically, the only PJ basses I like are the ones that have a very strong J pickup. Why? Because it's easy to make it cut through P's character if needed, and if you don't want that, you just dial it back. If you want J to have little effect, you dial it back even more.
On most PJ basses if you want to get the character of the J pickup you have to dial the P really far back at which point the output suffers, so IMO the best PJs for me are those with an overwound jazz pickup.
Oh, and preferably hum-free.
Regarding the "harsh" sound, it reminds me of an Aerodyne (PJ) I came across that had one of the pickups wired out-of-phase. This produced a nasal type sound, not very useful. It sounded fine if the P or J pickup was soloed. I think the wiring was most likely accidental, and would only require the Jazz (or P) pup to be unsoldered and the leads swapped.I’m starting to learn that I generally like basses with relatively simple controls and classic pickup settings. (ie: my Fender Jazz and Fender Precision).
I owned a PJ bass for awhile, but I was always just setting it to the isolated P pup, and using it as just a secondary P Bass. It sounded way to harsh with both pickups on.
You seriously need to resurface your ceiling.I like pj's, best of both traditional sounds in my opinion. I've never had an issue getting the blend I want. View attachment 3094472
That's funny. Mine mellows out with both pickups even. The P has too much mids, and the J is too thin, but together it's a perfect mellow bump bite.I’m starting to learn that I generally like basses with relatively simple controls and classic pickup settings. (ie: my Fender Jazz and Fender Precision).
I owned a PJ bass for awhile, but I was always just setting it to the isolated P pup, and using it as just a secondary P Bass. It sounded way to harsh with both pickups on.
in one of your posts you said that you had never played out anywhere
I agree with your thesis; but the "J pickup as an enhancement to the P" doesn't bother me. Sometimes a P sounds too tubby and I like a little edge on it; that's what that design does.
I did have a Yamaha BB1600 where the outputs were about equal across the pickups. It had a very different sound.
I’m starting to learn that I generally like basses with relatively simple controls and classic pickup settings. (ie: my Fender Jazz and Fender Precision).
I owned a PJ bass for awhile, but I was always just setting it to the isolated P pup, and using it as just a secondary P Bass. It sounded way to harsh with both pickups on.
Not when they're done right!
View attachment 3094365
Nice rig, are those Hathors or Changelings?PJ is pretty much the only config that I find useful (other than Rob Allen which is an entirely different type of bass altogether). YMMV.
I'm on the P probably 80% of the time, J 15%, 50/50 5%. That changes depending on the band/gig though. But sometimes for what I play a P pickup alone isn't ideal.
View attachment 3094521
I bought mine new in about 1988; it was my only electric bass in college. I still had it two years ago.Also, most Yamaha PJs I've seen/played are lovely (even the RBX stuff isn't bad, but higher BBs are just awesome).