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Does anyone else here dislike PJ basses?

I’m starting to learn that I generally like basses with relatively simple controls and classic pickup settings. (ie: my Fender Jazz and Fender Precision).
I owned a PJ bass for awhile, but I was always just setting it to the isolated P pup, and using it as just a secondary P Bass. It sounded way to harsh with both pickups on.

Nope

Really like my 2014 American Deluxe Precision, which is a PJ
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I also own an Ibanez Mikro GSRM20B which is a PJ, but that is a different story.
 
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I wouldn't say that I actively dislike them. But I have no use for the rear pickup on a Jazz Bass, so it's just something that cuts into the nice looks of the bass and adds weight (however slight), and a control that I don't use. I'd rather the rear pickup be gone and the third knob be a bass rolloff control. I will accept a Jazz Bass, and just ignore the rear pickup, because how else do they come without custom spec'ing one? But I will not actively seek out a P/J. I would probably accept it if I got the Mustang P/J, just because that's the only way they come. I accepted it on my Squier VM Jaguar SS too, because that's the only way the bass came.
 
I really like PJs. For me the key is to really dial in the J pickup so that it sounds like a J, by getting the height correct.

Exactly. Setup is key when it comes to PJ’s.

I have 2 PJ’s, a Tony Franklin fretted and a modded USA Precision. The Franklin has the beefiest sounding J pickup I’ve ever heard, if it’s set up right it’s a monster. The other bass has Quarter Pounder PJ pickups and yeah, it can sound harsh, but it’s also a really satisfying tone if you like punchy mids.

Unlike most people I actually prefer to have the J full up, with a little bit of the P to thicken it up a bit. Sounds good in the context of the band I play with but I can see how it wouldn’t work for everyone.
 
I’m starting to learn that I generally like basses with relatively simple controls and classic pickup settings. (ie: my Fender Jazz and Fender Precision).
I owned a PJ bass for awhile, but I was always just setting it to the isolated P pup, and using
it as just a secondary P Bass. It sounded way to harsh with both pickups on.
Try some different pickups.
 
I've owned a couple of PJ basses, and my only issue with them was that the P pickup was stronger than the J pickup... they were a little out of balance, and the J pickup sounded weakish on its own. Right now my PJ-like go-to is the Reverend Decision, which I love. For me, the pickups are more even... they sound good together, and isolated.
 
I never cared for PJs, until I got my Fender Limited Edition American Standard PJ Bass a couple of years ago. I still mostly use straight P-Basses, but I do like the PJ. As others have said, it really functions as a P-Bass with the capability of adding some J for a little extra treble when you want it. It's useful sometimes. I take it as my spare pretty often, but usually use a '79 P-Bass with flats.
 
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My go-to is an Ibanez Talman 600 P/J with Nordstrand pups. The P growls and the J (style) adds teeth. I’ve got quite a palette of tones to choose from. So I certainly don’t dislike a P/J, however there’s also much to be said for a P Bass with a really good p/u and setup. They exude elegance in simplicity.
 
For whatever reason the basses I had when I was first learning all seemed to be PJ's. To me, they seem to lack a distinct sound or character. My P sounds like a P, the Jazz like a jazz, the pj is neither and ihas it's own thing. However, I may not have encountered a really good one yet, so I am open to it anyway.
 
IMHO, and personal taste, I am not a fan of PJ basses. Jazz and Precision basses are the gold standard. I have played PJ's and simply don't see an advantage over the originals. The pbass split coils produce an acceptable reproduction of a standard pbass sound. However, the bridge jazz pup doesn't work for me. I know that the bridge jazz pup is where it should be and produces a standard jazz sound when soloed. My issue is blending the pbass pup with the jazz pup. Not my cup of tea.
 
The only P/J I have is a Hohner fretless. Black with a rosewood board. It sounds fantastic. I never could get comfortable with a J. The only one I own is a fretless with an unlined, undotted maple neck. I like it because it's unique. Bright orange with gold hardware and a gold anodized guard. It sounds okay, but not as good as the Hohner. The purple burst fretless P was made to imitate a DB. Mudbucker in the neck position, ebonal Mighty Mite neck, SD quarter pounder. Bridge mute is a foam paint brush head. No fair comparisons could be drawn under these circumstances. Each of these instruments brings something to the table and none are merely duplicates.