Only one of us is upset with my PJ 5-string, and it ain't me. But hey, good projection.Someone here is upset about his beloved PJ config, oh my... lol
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Only one of us is upset with my PJ 5-string, and it ain't me. But hey, good projection.Someone here is upset about his beloved PJ config, oh my... lol
Nice balance of form and function. It really shouldn't be that difficult. What's an efficient layout for the tuners that line up with the string spacing of the nut, make a little space to the name/logo, and embellish the shape a little.Besides the BIG truss rod cover, this is one fine design of a headstock... I noticed the aluminum ( or stainless, who knows... ) nut. Also the design looks like very close to Washburn, i guess.
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This!Aesthetics absolutely matter to me.
Thread is about Does headstock appearance matters to YOU, not audience.I find these results amazing. As I write this, nearly 2 out of 3 bass players consider the appearance of their headstock important. I challenge you two-thirds (you know who you are) to put your bass away at the end of a gig and then ask anyone who heard you to describe your headstock, or even name its color. I guarantee you that even the bassists in your audience won't be able to tell you.
Just curious where people stand on this one, and feel free to post pics of your favorite common or not so common headstock.
There are many, likely amazing instruments I have passed up because of aesthetic personal preference, even my Custom Roscoe LG3005 headstock looks a little funky to me, but have kept it because there is nothing that sounds or plays better (IMHO).
I tend to like controlled rounded lines, like my current instruments minus the Roscoe, which include a Stingray 5 and Fender Jazz Deluxe 5 (pictured).
What you got?
It doesn't, until it does. I wouldn't buy a bass because of a headstock, but I might not buy a bass because of a headstock.