• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Doing it right this time

So, I was close to giving up on serious playing, and there I was, browsing trough band ads, without any plans to find a band. There i find a band looking for basist. They seem young, but, heck, I'm gonna listen to their demo and see what they got cooking. And boy was I stumped, they are green, yeah, but they do have some nice ideas and seem to get how to make some tunes. A little rough, but with a bit polishing and advices, they could be sounding good. so i send them a message, get to meet with band leader (guitarist/songwriter) and kid is burning with passion for music. He's 300% precent into it. 19yo kids usualy IMHO/IMHE are in bands cos of the barging rights and to score girls/boys. Well kid pours down his story, he wants a real band, rehearsals around the clock, serious members, and is getting tired from all those kids who don't make it to the rehearsals cos they have some other stuff going on ; video games, GF/BF, mom and dad won't let them, bad grades at school...usual stuff that 16-18yo kids get into. So I was like, ok, let's get together, play a few tunes and see what to do next. so we get down to play few days latter, and boy oh boy! drummer was falling apart, he couldn't keep time, beat or dynamics. and worst of all, he would not admit that he needed practice. So i gave him the metronome on phone and again, kid was falling appart. so i plugged phone into PA system and the place and it was so...horrible :( . second thing, vocalist was bad. dynamics, expression, diction. seriously bad. And a bit (annoyingly) cocky. And was late for rehearsal. Also he writes lyrics. that are bad. I know, English in not our first language, but boy he sounds like Borat trying to impersonate Bruno. but the band leader (guitarist) , that kid was good! And frustrated and a bit ashamed. So we sat down latter and I told him, ok you know what, wanna play in a real band, either keep this one and get a parallel band with me, or just kick out those two and let's get real members. And he was all for solution number 2. The fact that he has all the drum lines written on his PC, that makes us able to rehearse at home till we find drummer. So we went on searching for the drummer and vocal. And month latter the search is still on.

So what I did this time; I said no to bad, irresponsible players, let's be a part-band until we find right people. Having bad musicians pulling band down is worse than having half-band playing in living room.

We made plan divided with objectives, steps. Every song must be written down, sheet is king. Gear is on the way, ampless platform with digital mixer, electronic drums and IEMs. Why? I'll elaborate.

IMHO , bands spend too much time on hauling authentic valve amps/drums/gear and loose control of their sound the second they hit the stage, horrible sound levels onstage hurts performance. In reality, i would bet that less then 5% of our potential audience would hear the difference between line6 x3 simulated marshall j800 with tubescreamer and 4x12 box and the real deal. If they would and cared about that, noone would listen to electronic music :D but we play rock. But thing is, I think that clear, defined sound and the ability to hear clearly each other on stage and drop the stage sound levels to zero is number one priority for evading problems with live sound. for our band. We really won't attract musicians but I think we'll hit good with 14-25yo girls :D LOL! guees how much of them care about authentic amp/drums sound. almost zero. and boy, those electronic drums sound really good (behringer 80 something). Band needs to sound tight, and this route FOR US is the best. IMHO.

Second thing is, whole of our gear fits into 10U rack + box for drums. that fits into the trunk of the small car. That cuts our gas costs by half. Setting up + sound checks ; a breeze. We get whole control of the sound, and PA guys just get to control the FOH volume. Mixer is XR18, we got shure 215 IEMs, guitarist uses line6 fx100 and i'm waiting for line6 x3 live. When we get our space all set up, I'll put some pics and videos.

Yesterday guitarist and i played around with fx100. That thing sound really really convincing. Marshal / fuzzface and or tubescreamer, boy oh boy! what a sound. I also played with bass on that thing, and i fell in love with it.

So all in all, we'll see where we get, and if i was wrong and how much :D I'll update it on a regular basis.

our first setup in my living room :D

x3_zpsgltmbjmr.jpg



07.17.2015.

So news update, we did find a real drummer, she's our age, cool, energetic, really fits into rock perfectly. but number one problem that we found was that electronic drums are NO QUIET. Problem is that we have our rehearsals in my living room, and since i live in a flat, i have neighbors, and in the flat below me, there is a really nice old lady living, and every time drummer hits kick it can be heard downstairs. So i had a chat with the lady downstairs and she was like "oh, it's not bad, i don't mind it" but i still decided we should be getting some other space. There are few rooms in the basement of the building, so we gave them a chance. Room no1 is spacious, but it has windows looking at the back yard, and problem is , all of the flats have bedrooms and living rooms turned to the back yard, and since windows in the room no1 can't be closed up all the way, again, kick is audible.

x1_zpszhbcjqwk.jpg

x2_zpsmapmh1ya.jpg



So i had a chat with neighbors and we got a room that's in the basement and really really in the belly of the beast (building). it's dry, it has electricity, and none can hear us (scream) from there. And today, we have our first rehearsal in the "dungeon" i.e. room no2.
x4_zps0r7u2dhw.jpg

"the dungeon" looks much better in real, trust me :D ! thing on the left are valves for the water pipes. it's around 2x5 meters... (what's that , 6,5x16 feet?)

Another interesting thing, drummer was reluctant of electronic drums at first, but she really got into it after a while. Sure, there are finesses that she can't reproduce 100% on electronic drums, but in the mix on IEMs they sound awesome! and we play with metronome all the time. dissect songs bar by bar, repeat all the tricky parts dozens of times, and in the last 3 rehersals band has gone up by insane amount. Now it sounds tight, clear, defined. There are ofc parts that need to be ironed out, but the speed at witch we are getting there is really impressive. so this week we will have 4 rehearsals. All thanks to the fact that we have our gear, place just for us. Also, since we are using IEMs for practice, there is no more noise and our ears thank us. downside was at first that we could hear every nuance and mistake. every note that was not played with 100% certainty, you could hear that. It's a whole new experience. I could not get back to loud rehearsals any more. That was a real eye-opener.

And we are still searching for a singer :D
 
Last edited:
Well it's one thing when somebody is struggling with something--that means they know they need work--and they're doing it.
If they show some promise then it might be worth keeping them--depending on where the rest of the band is, if you have gigs, have time to allow them to step it up, etc--as long as personality wise they are a fit.
In some ways I've found that was a very important ingredient.
I once declined to join a band where musically we were a fit, and the talent levels matched well, but the leader was quite odd in personalty--we got along musically, but we would have clashed too much, and frankly--he creeped me out.

But from the description above the others didn't want to work at it, and get better--and that's the thing that raises flags--it indicates personality issues as well.
 
True. Good thing is that we parted our ways with drummer and singer. Kid reminds me of me when i was his age :D LOL! same passion , then beaten to death by irresponsible musicians, lack of money, mom and paps telling me to quit music and so forth.
 
So news update, we did find a real drummer, she's our age, cool, energetic, really fits into rock perfectly. but number one problem that we found was that electronic drums are NO QUIET. Problem is that we have our rehearsals in my living room, and since i live in a flat, i have neighbors, and in the flat below me, there is a really nice old lady living, and every time drummer hits kick it can be heard downstairs. So i had a chat with the lady downstairs and she was like "oh, it's not bad, i don't mind it" but i still decided we should be getting some other space. There are few rooms in the basement of the building, so we gave them a chance. Room no1 is spacious, but it has windows looking at the back yard, and problem is , all of the flats have bedrooms and living rooms turned to the back yard, and since windows in the room no1 can't be closed up all the way, again, kick is audible. So i had a chat with neighbors and we got a room that's in the basement and really really in the belly of the beast (building). it's dry, it has electricity, and none can hear us (scream) from there. And today, we have our first rehearsal in the "dungeon" i.e. room no2.

Another interesting thing, drummer was reluctant of electronic drums at first, but she really got into it after a while. Sure, there are finesses that she can't reproduce 100% on electronic drums, but in the mix on IEMs they sound awesome! and we play with metronome all the time. dissect songs bar by bar, repeat all the tricky parts dozens of times, and in the last 3 rehersals band has gone up by insane amount. Now it sounds tight, clear, defined. There are ofc parts that need to be ironed out, but the speed at witch we are getting there is really impressive. so this week we will have 4 rehearsals. All thanks to the fact that we have our gear, place just for us. Also, since we are using IEMs for practice, there is no more noise and our ears thank us. downside was at first that we could hear every nuance and mistake. every note that was not played 100% certainty, you could hear that. It's a whole new experience. I could not get back to loud rehearsals any more. That was a real eye-opener.

And we are still searching for a singer :D
 
An interesting read.

About the only question I'd ask is: Since you all seem to be so serious, have you given a thought to how you're going to handle it if you actually succeed? Are you ready and willing to turn pro? And do you even want to if you get the chance?

Because now's the time to straighten out what the individual and collective goals of your crew are. What's the "lifestyle goal" the members are looking for? Is the band mostly something fun to do, and mainly an excuse for a night out? Are some hoping (needing) to get some decent cash flowing in from it to supplement what they're earning with their straight job. Are half dead set on making it to the top or die trying?

These are all things that need to be straightened out before you get too far down the road with your time, effort, and money. Because the last thing you want is for somebody to back out on you at an inopportune moment. And that's something that happens all the time in bands.

Most bands that do a lot of planning don't address early on what happens if it all starts happening. I say this because, in my experience, once it starts rolling, it moves pretty fast - even if it took 10 years of steady work to reach the point to where it did. In music, success tends to be "overnight," even if that word isn't a completely accurate description of what occurred.

So now might be the time to start thinking about what happens after the band has finished all the steps necessary to become a band. You've already taken steps to avoid failure. Have you also planned for success?

Let's assume shortly after you become a viable band, somebody asks you to tour with them for six months. Can everybody in the band do it? And would everybody be willing to if they could?

It would be a shame to have put all that work in, and gotten a golden opportunity, only to discover that somebody won't (or just can't) because she/he has caregiver responsibilities for an elderly parent two evenings a week and therefore can't go. Or somebody wants to finish college first (a smart move on their part) so they can't really get too far out of the area for the next two years. Or somebody's significant other is ok with their sweetie doing "their band thing" as long as it's not every single evening and doesn't involve too much travel. And besides they're planning on getting married next year. (Didn't we tell you?)

These are all very real issues and cause for concern because: Life always gets in the way. And many times, to be in a band means making significant personal sacrifices. If you look at the stories behind most people who made it in the music world, there were always "decisions that got made and prices that were paid."

And that sort of "problem" doesn't even have to originate with something, or someone, outside the band. What happens when only three out of five think it would be a really good move to take a calculated risk and relocate the entire operation to one of the "Meccas of Music." Places like NYC, London, Nashville, etc. to see if you can get better recognition and opportunities?

The best guitarist I ever played with had no long term goals or ambition whatsoever when it came to music. He had a good well-paying day job. He was actively involved in some local community stuff he really enjoyed. He had a wife, and plenty of friends in the area. He was available for an occasional "away weekend" or overnight, plus most weekends. But that was it. And he wasn't at all interested in doing "the band" full-time.

Too bad the rest of us only learned that about him after hundreds of hours of rehearsals and almost a year of playing out together as a band. Because after a while, it looked like we were really starting to get places with it, and it was obvious to all of us that the time had now come to take the next step. BANG! He was gone. Which was a real problem because many of our arrangements were charted to take advantage of some very unique things this guy could do. Another even bigger problem was that about a third of our more popular songs were written by him. And he wasn't too keen on allowing us to continue playing them if he wasn't in the group. ("It's nothing personal, guys. It's just I feel it's kinda like they're my songs y'know?") So the choice we had was (a) go back to close to square one - or (b) hit it over the head and push it off the pier.

The remaining four of us initially thought: "Fine, we'll regroup and do it smarter this time." But then our drummer suddenly decided "This is total BS!" and walked out in huff. (Guess we hadn't thought much about what his goals were for being in the band.) Then the other guitarist announced she only wanted to remain in the band if the drummer (who it turns out she had a serious thing for) also stayed. (Oops - guess we didn't know about that one either!) We tried calling him. But he was mad at the entire world at that point so he wasn't taking any calls from his former bandmates. So bye-bye other guitarist! Then the keyboard player told me he was thinking of hanging it up anyway because there was this "fantastic opportunity" opening up where he worked...but it would involve significant travel if he took it...

Which left just me...

And then there were none.
 
Last edited:
Yesterday we had a problem with electricity, some of the underground cables broke in the street so there was heavy equipment and digging and repairing in the street and 5 buildings (including mine) had no electricity. Bummer. so rehearsal was canceled till Monday. Too bad, we wanted to check our our dungeon.
 
you can build the drummer a small isolation platform. you can find plans for the larger version at vdrums.com. i used to play electronic drums in the middle of the night, and on the floor you can hear the kick drum in the walls. i was using a mesh kick - what's she using?
 
it has a mesh kick :) it's not too loud but the drummer is really kicking it hard. i mean, that's not bad at all, she plays with so much energy and she put the band on the whole new level. She plays a bit "forward" so to say. drives the band, but she is really tight, so even it seems she will be pushing the tempo up, she still lands 100% on the click. I've seen the diy tennis pad and will will try that asap and if that thing works out, we'll be moving back to the living room.
 
  • Like
Reactions: pcake
07.28.2015.
Last week we had a a bunch of rehearsals, and we adjusted sound levels, monitor mixes, tinkered with guitar and bass sound, also band is going up in tightness and pref romance at really really amazing speed. I was shocked how tight and on the beat we play, in essence it's all metronome and hard work but it's nice to see how it pays off. On Saturday, drummer couldn't get to rehearsal early so we called one guy just to jam with him. He's guitarist's friend, and he seemed he's full of s***, bragging how good he plays drums, "technically, I'm perfect". So we got down and started jamming to a metronome. HE could NOT keep up with metronome and would fly off in tempo in 3-4 bars. that was soo sad to listen so i turned off the metronome. He's got flashy licks but can't place them in beat or tempo. So guitarist and i ended "oh, let's take a break" , drank a beer, talked about gear with him, just trying to buy time so we don't have to play (lol, we're just baaaaad). Anyway, he was like "come on, let's jam guys" so we pulled it together and went trough another hour of pointless jamming. One hour latter, he went home, and we tinkered with sound, sat in the back yard, and waited for our drummer. so when she came, we were like "thank dear God we have her". She is soo tight, on click, but adds her flavour of that "pulling it forward but ending 100% on the click", at times i couldn't hear the metronome, it just fused with the drums in such a good way that it was pure joy.
Now, we did have a small problem, even in our "dungeon" drums are audible. Possible culprit could be the fact that altrought there are 3 doors between us and the backyard, two of them are very thin plywood doors with big ventilation holes. We could fix that, but solution has to be "mobile" because i suspect anything "spongy" in there will be a mold infested in few days. I'm thinking about putting two mattresses on both doors and that should do the trick, we can also move them after playing. And dungeon is only good in summer / early autumn / late spring. Playing there in winter would be horrible, no heating and there are open windows / ducts in the ceiling. Soultion could be that we play there when it's not cold and play in my living room when it's cold. To fix mesh kick oise i've ordered trigger for kick; Invalid Link Removed And i'll need to add some isolation to doors in my apartment and have a talk with the nice lady downstairs.
Also, "concierge" (i think that's the word, he lives in the building but takes care of everything) asked us, "when will we hear your band for real? I'm only hearing drums" , so we will have to have a small gig in the backyard for the our neighbors probably in September. :D that's our second "booked gig" (LOL!), first one is in my father-in-law's vineyard.
+ after laying down all of the amp sims that line6 x3 live has, i found hiwat 100/200 setup to be the most fitting for our band, second in line is ampeg svt with 8x10 box and then either marshall major with 4x12 box or avalon preamp with sansamp di drive. In the last setup, avalon warms and thickens the sound a bit and sansamp is used as a compresor/drive, when playing softly it produces round thick sound, but playing mid-hard prouces drive that really gives more bite and wider sound but also acts as compressor so it have upper limit for volume, i.e. i can't overtake the band with bass when playing a bit harder. monster of a tone, but sometimes it sounds a bit to hi-fisih so i go back to hiwat 100 that's a bit driven and dirty. while line6 will not produce 100% authentic sound, it gives a really close aproximation of the amps and provides a clear, nice sounding bass in the whole mix. And it's very very portable. I'll go trought our sound setup in a few days, maybe post a video.
Guitarist has line6 amplifi, while it is somewhat stripped down version of x3 live, it has bluetooth connection to phone/tablet and it's a breeze to use. he has his preset set between vox30 combo with tubescreamer for rythm and same thing with a bit more reverb, thickness and a tocuh of more volume for solo while for clean he uses twin reverb sim and subtle delay and flanger/tremolo.

20150728_184009_zpsif2cnr6a.jpg

check out the plastic cup holder - cymbal. Drummer forgot to bring her chair :D again.

20150728_184127_zpsg92zms22.jpg

that's our xr18 digital mixer, underneath ha8000 headphone preamp, line6 x3 live and my trusty samsung note 10.1 for thinkering with xr18 and line6 amplifi fx100
 
Last edited:
08.24.2015.

We had 3 weeks break (holidays) and we are back on the track,
i did manage to get a 12u rack, now everything is installed in it. It's great! Also, we got trgger for kick and it works great (it's good trigger and it's dead quiet). Bad thing is that 3 weeks off did prove a setback for band cohesion, so we have to practice a bit to get to the level we were 3 weeks ago. Big news is that we got ourselves a name! Hundreds Of Them. And I upgraded my GF's laptop with ram and SSD so now it's our recording unit. XR18 mixer plugs into it with usb and recording the band is a breeze, we can record main mix or individual inputs. so i did try to record it as is, without editing just to get the idea how we really sound. so i plugged USB cable in, started reaper, setting up was a breeze, just added tracks, chose inputs for them and that was it. it recorded without any problems.



now two things are apparent, we suck big time compared to before - we have to work harder, and second thing is that our levels are bad + sound needs tweaking. guitar imho sounds too thin, drums are too quiet and bass is overpowering the whole sound. seems that ampeg SVT sim on line6 is too "heavy" sounding.

more good news are that we put out adds for singer and got a response from whole bunch of people. so now we have 6 people that wan't to be singers in our band. so we need an audition. Today we'll have short interviews with two of those singers just to get to know them and see if they are normal folks and then we'll try to select best one for our band at the audition.
 
yeah, we have a bit of an issue with the drummer.... ehm.. she disklikes electronic drums and reason for that is that you can't play them as hard as acoustic. imho she just won't practice and adapt, that could be major issue in the long run. so we have backup plan, to make drum tracks on studio drummer or similar software for every song so we have backup. i'm even considering that is better option than lousy drummer, just having drums on playback
 
08.25.2015.
so yesterday we had an interview with two vocalists. First one was really nice, down to earth guy. We were done with interview in 10min. Ususal stuff, his plans, can he have at least 3 rehearsals/week, if he is willing to work his ass off in a band, what kind of music he likes, etc. So we liked how he was all simple and straightforward.
Second one was a complete mess, seemed like he was stoned. Talked about some philosophy, his view on life, music, politics (urgh). when confronted with simple question if he is willing to work hard and if he can endure endless repetitions, rehearsals and our perfectionism he talked about how he is creative and can't always repeat things the same, he likes to improvise. ie he can't sing that good. He didn't fit at all but just to be fair we'll give him a chance at the audition so that we don't seem like jerks. He kept on talking and talking, didn't make much sense, just some mumbojumbo about music.
We have few more vocalists to interview, audition is next week.

we'll try to record audition :)
 
08.28.2015.
So we kinda decided we'll replace drummer with bfd3 drum sim. Now that's interesting. We'll practice and play with drums played by my GF's laptop. Yesterday i did create part of one song in the software, and tried to record it. Xr18 plugged onto PC trough USB is recognized by software as ASIO device, i can then add drum track in stereo to 2 chanels (and from what i've seen i could dedicate each chanel to each element) set levels and i was good to go in few mins. really a breeze. so i did record it in reaper then laid down bass line. it's interesting because proper drums force me (and guitarsti both) to play better, be precise, check our dynamics etc. we'll continue with using software drums instead of a real drummer until we have found drummer that can play good enough and is serious & dedicated. At first we were thinking how we'll look like without drummer onstage but i think that we are overthinking it all, we have lots of work ahead of us and maybe we'll find drummer before the first gig. if we don't, at least we'll look different.