Looks good!
Thanks! It's a pretty smart series with a lot of really talented people - four great women directors on it including the legendary Agnieszka Holland (The Wire, House of Cards, etc).
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Looks good!
This is the mate of the Kolorbas called the Rubin bas. Very much the same in most ways with a few interesting differences. 2x2 hs with tuners the same as the DiscoBass, exposed rail-pole version of the same style pu's, a 'Jolana' pressed tail-piece plate, and wood body-binding. (and missing the clear pg and knobs) This one has a small, but not quite mini non-original 3-way pu switch. I wonder, like mine - why the pointer-knob version was replaced? I imagine the 'wood binding' is simply not painted as mine has the perimeter laminate which is the same dimensions. As in, if I striped the black there - the wood strip would look like binding - only on the sides. (the top would reveal the laminate as seen in the neck pocket. A clever way to introduce a nice trim detail. Original screws are all slot-heads including the neck-plate. I could have stuck to that but other than the specific pu height-adjuster screws - Philips-head screws are just better. The floating bridge is horizontal - I angled my floating bridge to get intonation more accurate. The short reach of the saddles (much like a Gen1 T-bird) doesn't offer enough latitude for correct adjustment. You can see how they are all at the limit on either end. Curious why they made 2 basses so much the same at the same time.
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This is the version I've seen most. Some with this sort of bursted finish and some just a solid blue.

I wouldn't have thought a trapezoidal control plate could work on such a rounded body, but it kind of works.
In my eyes, it looks certainly better than the rectangular plate of the Höfner Beatle Bass.![]()
How does this work? Is it just any slice of paper, or extra thin, or something else? And what do you use to draw the letters on it to make them visible on the underlying headstock?![]()
the guide
I'll let Jio answer how Jio does itHow does this work? Is it just any slice of paper, or extra thin, or something else? And what do you use to draw the letters on it to make them visible on the underlying headstock?
How does this work? Is it just any slice of paper, or extra thin, or something else? And what do you use to draw the letters on it to make them visible on the underlying headstock?
Well done, by the way. You clearly have both an eye and a hand for it.
I'll let Jio answer how Jio does it- I get there with tracing (or kitchen parchment, which may be a lot easier to find these days) paper, drawing the design on the front, flipping the paper and penciling over it on the back, flipping it back over and burnishing (rubbing with a hard, smooth object) to transfer the graphite from the pencil on the back to either the next sheet of paper (having penciled over only the lines you want to keep, and getting rid of various developmental lines more cleanly than erasing, while preserving the original sketch) or where you want the final artwork to be.
He wanted a really short scale?There are a few of these Jolana Star IX basses currently on Reverb, but this one stuck out a bit. Looks like the 'floating' bridge floated up-stream.
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He wanted a really short scale?
Reminds me of a short scale I have that someone decided needed to be a long scale so he put a high mass bridge as far back as possible, then realized his mistake and moved up to the proper(-ish) location.![]()

My favorite Jolana!There are a few of these Jolana Star IX basses currently on Reverb, but this one stuck out a bit. Looks like the 'floating' bridge floated up-stream.
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Here's one in VGC and the cheapest one being offered. Original tuners have been replaced with standard Y tuners (oddly upside down) but otherwise everything looks original - and it has a bridge cover! (not certain if it's original)
https://reverb.com/item/45692887-jolana-basso-ix-czechoslovakia-ussr-vintage-collection
I too wondered about that bridge, and also why someone went to the trouble of veneer-ing the headstock and converting to 4-in-a-line...hmmm. The tailpiece isn't original either, but that seems to be really common over there. Lots of parts exchanges and make-do fixes. I'm sure OEM parts were hard to come by even then! The second one is really nice (description states: " The guitar was in the hands of a good master restorer and is in excellent condition.") The bridge cover on that one is definitely original. Oddly enough, the tuners on my Basso IX are turned upside-down as well. I wonder if players were used to reverse gear tuners, or just playing with visuals... I've left mine "wrong-way-round" - I think it makes the headstock look pointier!I'm guessing it's a fretted bass.Reminds me of a short scale I have that someone decided needed to be a long scale so he put a high mass bridge as far back as possible, then realized his mistake and moved up to the proper(-ish) location.