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Down-Tuned Bassists Club

drop B is hectic man, what genre is your band??? mine is metalcore

It's just a 1/2 step down from C. What do you mean by "hectic"? :p

I probably will use my Euro 4 for the drop B stuff. Otherwise I'd run my NS-5 G#BF#BE :bassist:

We actually play pretty standard radio rock style tunes with a few covers, but even though we tune down that low we don't EQ all scooped and chugga chugga. :D
 
I swap between E, Eb and drop D with drop D being used most often.

Also, if it helps, I've never met a musician that down-tunes and refers to the actual note*. For example, if the entire band tunes down a whole step, the third fret will often still be called "C", just for simplicity.

Maybe because I often use different tuning to the guitarists, I always refer to the actual notes otherwise it gets confusing.
 
I swap between E, Eb and drop D with drop D being used most often.



Maybe because I often use different tuning to the guitarists, I always refer to the actual notes otherwise it gets confusing.

Same here.
Even in drop C, if it's 5th fret, E string, I still call it an "A" for ease of everyone figuring out wat teh hell is going on lol.
 
I swap between E, Eb and drop D with drop D being used most often.



Maybe because I often use different tuning to the guitarists, I always refer to the actual notes otherwise it gets confusing.

How is that, tuning differently from the guitarist? I only do it on occasion with drop D stuff (where the guitarist drops, but I don't).
 
crack-boom: #25
Phormlyss: #26
bassmastan: #27
Lunatic_Pandora: #28
klejst: #29
jabsys: #30

Some really interesting comments coming outta you guys, especially FunkMetalBass. I find that everything sounds a bit more 'familiar', if you will, when I'm in 'E'. I just find that things feel slightly more exotic when I'm down-tuned.
 
Now that I have a new short scale for standard tuning, I've decided to permanently tune my old Precision to BEAD. I've been jamming Slipknot and other metal stuff and I feel like I have TWO NEW instruments now. I haven't had this much fun in years and I've been playing bass for almost 25 years.
 
I find it interesting that some find drop tunings easier, while for me they're completely confusing and inconvenient. Speaks to the variety in different players' styles.

+1. Interesting, isn't it? I just can't do dropped tunings. I have no issue playing a lower standard tuning though. As long as it's still in fourths.
 
I started tuning BEAD some two month ago and it opened a whole new universe! My now only bass (working dad saving for house down payment) is about to get a new BEAD bone nut pretty soon to install a proper .130-.105-.85-.65 set on it. Currently, I cope with DR DDT's .115 tuned down to B. It works, but the set has a .55 "first string" that now tunes to D, and is a little buzzy for my taste.

In regards to tuning differently from the guitar for writing originals, my former band did only originals, I was in Drop D, guitarist on some weird arabic like D type of tuning, for some songs, and in standard B (while I remainded in Drop D). It made some interesting tonal textures and timbres just cause I wasn't always playing octave-down guitar parts.

Anyways, I'd love a number :D
 
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