We saw it last night with my classical composer GF. Quite well done, and I'm surprised that no one mentioned the score by Hans Zimmer, who has done other Christopher Nolan films. I learned about the Shephard's tone, used to good effect, and that one of Elgar's Enigma variations, the Nimrod, was used several times: first when the small boats arriving at Dunkirk were noticed, and again later in the train.
Shephard's tone: Shepard tone - Wikipedia
The tritone paradox, the GF tells me, is heard differently depending upon language or dialect. Tonal languages, such as Vietnamese, hear it the opposite of an atonal language, like English.
Tritone paradox - Wikipedia
My GF studies language and linguistics.
Actually, as interesting as the concepts are, I'd just rather enjoy the music!
Shephard's tone: Shepard tone - Wikipedia
The tritone paradox, the GF tells me, is heard differently depending upon language or dialect. Tonal languages, such as Vietnamese, hear it the opposite of an atonal language, like English.
Tritone paradox - Wikipedia
My GF studies language and linguistics.
Actually, as interesting as the concepts are, I'd just rather enjoy the music!
