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I guess they're heading towards that TI money.
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These ones certainly are trying to be "just like TI's"...
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Apologies for slightly hijacking the thread but since it's about Dunlop flats perhaps I may ask just as well. I have a 45105 set on a 2008 AmStd Pbass (maple fretboard & PV63 pickup) for over two months and play them regularly. I really like the relatively low tension and high flexibility of the strings (for flats) and also like the versatile tone, which can vary a lot by adjusting the tone knob. The only issue seems to be that past the 8th or so fret, especially with the E string, the tone becomes rather hollow in a perhaps unpleasant way. For comparison, this is not the case when I play my other Pbass (2017 AmProf) strung with 45105 D'Addario Pro Steels. Is this hollowness of tone, as one moves towards the heel of the neck, a characteristic of flatwound strings in general or is it an issue with Dunlop flats?
Apologies for slightly hijacking the thread but since it's about Dunlop flats perhaps I may ask just as well...
Here are better threads for your question:
Dunlop Flatwounds...
My review of the new Dunlop Flatwound strings!
now that with the relief of COVID-19 shut downs, the first thing everybody will do is put on a set of fresh strings to be ready for rehearsals.
What we call well seated is what classical players call "won't hold rosin anymore."I think the pandemic has actually helped a lot of flatwound players break in their strings to the point where they're nicely worn in and ready for action. Who needs a fresh set of flats to get ready for rehearsals?(Sorry I couldn't resist...)

