Thanks! Yup it's the clip on tuner I just leave it on.4500? Oh is that all?
I had to double take. That tuner or sustainer or whatever on your headstock makes it look like a six string!
Beautiful bass!
Crowd shot:
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Thanks! Yup it's the clip on tuner I just leave it on.4500? Oh is that all?
I had to double take. That tuner or sustainer or whatever on your headstock makes it look like a six string!
Beautiful bass!
This thread needs some more action today. So i have a question for those of us with HH models. Which of the switching options are you finding yourself using the most and for what type of sound?
Im using position for 1 Classic Stingray tone ( bridge only)
position 2 for jazz bass like tone ( 2 outer coils)
and postion 4 for Pbass tones ( 2 inner coils)
I’m late to the party on this. Fun question!
I’ve mostly been using position 2 on my new 5 string. I’ve been playing jazz in a combo and that setting works great with treble rolled back a bit and (maybe) a slight boost to bass and mids. I’ve been more focused on getting used to the extra string so haven’t spent as much time experimenting with tone because it is fitting in so well.
I also need to post pics when I get a chance. But maybe I’ll wait until I get a new pickguard for my great new bass!

Mike Quick has the template for the 5 string. I’ve been trying to contact him about getting a 4 string made but he doesn’t respond to emails.I’m late to the party on this. Fun question!
I’ve mostly been using position 2 on my new 5 string. I’ve been playing jazz in a combo and that setting works great with treble rolled back a bit and (maybe) a slight boost to bass and mids. I’ve been more focused on getting used to the extra string so haven’t spent as much time experimenting with tone because it is fitting in so well.
I also need to post pics when I get a chance. But maybe I’ll wait until I get a new pickguard for my great new bass!
Basically the same for me. 1 gets a lot of use and 2 & 4 are great. Haven't used a lot of 5 or 3 but someone posted above that 3 is better with the mids boosted so I'll check that out. None of the sounds are bad!This thread needs some more action today. So i have a question for those of us with HH models. Which of the switching options are you finding yourself using the most and for what type of sound?
Im using position for 1 Classic Stingray tone ( bridge only)
position 2 for jazz bass like tone ( 2 outer coils)
and postion 4 for Pbass tones ( 2 inner coils)
Mike Quick has the template for the 5 string. I’ve been trying to contact him about getting a 4 string made but he doesn’t respond to emails.
Mike Quick has the template for the 5 string. I’ve been trying to contact him about getting a 4 string made but he doesn’t respond to emails
Yes different guyI thought I saw on his Reverb page that he is moving? So nothing was available
Edit: But I might have that wrong- it was a guard maker I think you linked to before on Reverb
No club chatter today?
I’m at work jonesing to get home and play my new(ish) Special 5HH. Waiting to live vicariously through talk of Specials!
I wrote a 1000 word paper, did my taxes and played with my band for 3 hours. I was a bad SRS Club member today.
Recorded with the EB flats. Really great sound.At least you played! So you were a good member.
Recorded with the EB flats. Really great sound.
I think you’re going to like them. I got the Supers. Once you clean them up real good they’re perfect.I have some on order for my 5HH
Are they the regular flats or the cobalts?Recorded with the EB flats. Really great sound.
They’re the cobalts. I don’t think they call them cobalts anymore. They rebranded them.Are they the regular flats or the cobalts?
Best priceAre they the regular flats or the cobalts?
Good to know.They’re the cobalts. I don’t think they call them cobalts anymore. They rebranded them.

