I watched that video about how Taylor bought up ebony forests and is helping make sure we use every last piece of ebony in a responsible manner. But I think this actually leaves a market for something like Ebonol to be used more in fretted instruments. I know it's already super popular in fretless basses and it can't be that expensive because it's in Squier basses, so for people who like the look of ebony and don't mind composite, I think Ebonol should be used more. I think if Gibson had gone with Ebonol instead of fake dyed baked maple for when they couldn't use rosewood, their customer base would have been happier.Of course switching to more sustainable woods is good, but there is a lot to fix in the ebony industry as well. And Bob Taylor of Taylor guitars has led the way. I mean it's a sad comment on human beings when they are sawing down rare Ebony trees and then letting the majority of them rot in the forest because they are not dark enough in color! Yes, it's understandable that if the men can't be paid to get them out, then they stay, but letting rare trees rot is like burning food to stay warm or something. Luckily Bob Taylor has started the ball rolling in changing the old ways so lesser trees can become used as well. I mean does stripey ebony really look bad? Does dyed ebony really play/sound that different? Especially when we have sawed up all the dark trees.
I know I just said I love baked maple, but I think if you use it, you should just keep it in its beautiful syrupy delicious color, like compare how Gibson used baked maple with how Suhr used it.

all the flats and sharps in mint condition....