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I would go:
BSW --> BBE --> dirt boxes ...and the phase and chorus can go anywhere in there.
The BSW might put out some volume spikes which would be alleviated by the compressor; yet compression after distortion or fuzz can dull or even deaden them. The phase and chorus will be strictly up to personal taste. I happen to like fuzz --> phase personally, but it's no biggie.
.... which the synth wah is not, so you need to have the fuzz first then the synth wah.
...and noting that his current bass, a Stingray, is active- which nullifies the impedance/placement issue re: fuzzes. For an active bass it doesn't matter where in the chain you put the fuzz.
What about the buffer circuits on the CEB-3 and BSW?