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Probably even better with tapewounds.Now and then we get asked about electric basses that sound like a DB. I heard an Epiphhone Rumblekat this evening. Its hollow body and two pickups at the neck make sound almost like a DB. I was told it did, but I didn't think it would be that near.
The strings on it are two years old. The owner's been told to get D'Addario Chromes.Probably even better with tapewounds.
I've heard DBs and you haven't heard this Rumblekat.If you have spent much time actually listening to an upright, you know the answer is not any.
Now and then we get asked about electric basses that sound like a DB. I heard an Epiphone Rumblekat this evening. Its hollow body and two pickups at the neck make sound almost like a DB. I was told it did, but I didn't think it would be that near.
Definitely would not choose Chromes for going for the "upright-ish" vibe with an EB. Too modern, too bright. They're the flat that sounds the most like a round (IMHO). I've had Chromes on a Jerry Jones Longhorn for about 10 years and they're still not nearly as good for the "faux upright" thang as old Labellas, or Tapewounds.The strings on it are two years old. The owner's been told to get D'Addario Chromes.
You might be surprised to learn that the Rumblekat was designed for pick-playing.Definitely would not choose Chromes for going for the "upright-ish" vibe with an EB. Too modern, too bright. They're the flat that sounds the most like a round (IMHO). I've had Chromes on a Jerry Jones Longhorn for about 10 years and they're still not nearly as good for the "faux upright" thang as old Labellas, or Tapewounds.
In any event, regardless of the bass it's all about old dead flats or tapes, some kind of muting to shorten the decay, and as mentioned playing like a DB player would - the phrasing, space between notes, etc--a DB takes a lot more effort than an EB, so you need to mimic that. Then in a mix, you can get a bit of the DB vibe, but it'll never really sound just like one.
If you mean Allen Woody was largely a pick player, then no surprise that idea went into it. Not sure what that really means though--maybe the pickup placement was thought to be more pick-friendly? In any event, I had a Rumblekat for a while. Pretty cool bass.You might be surprised to learn that the Rumblekat was designed for pick-playing.
I've been doing the pretend upright thing on EB for...decades, with a variety of basses--longscale, shorties, hollowbody, etc., different kinds of strings, various muting techniques. And you're right the U-bass gets closer than any bass guitar. Runner up would maybe be one of Rob Allen's basses like the shorty Mouse. Next in line would be Joey Spampinato playing one of his Danos or Jerry Jones (crazy how he can make it sound like rockabilly upright slap--I could never figure out how he was doing that).Sounds weird, but the tiny U-Bass with those rubbery strings is the closest thing I've found to a bass guitar which cops an upright sound.
A a player of both electric and double basses (with a decided preference of playing electric) I have to say that NOTHING has the sound and feel of a Double bass. And I've played just about every variety of ABG, EUB, U-Bass etc that this planet has to offer. And those that are reported as being close, IMO, are not really very close. You need the strong fundamental that a 40+ inch scale can deliver along with the bloom that results from a large body's resonant response coupled with the filtration effects of the wood resonance and the controlled extended damping factor of that large body/air mass. Couple that with the phase coherence of the front and back plates through the effects of the bass bar and the soundpost and you have a complex system that is not well reproduced by other instruments.
I guess that all I am saying is that however close an alternative is, it's not nearly close enough for me. There's magic in the double.