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EMG Club!

It seems like a midpoint between the David Ellefson set and the dual P configuration used by Lee Sklar and found in Steinberger basses. Honestly, the demo's sound is what really sold me, I'm tempted to just go ahead and blind order it.
The solderless connectors make this kind of experimentation super-easy.
 
It dawned on me that Billy Sheehan used something similar for years, a dual coil near the neck, and a split coil nearer the bridge.
 

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Found another famous use of blending a split-coil bridge pickup, with a dual-coil neck pickup. John Myung had a Duncan ASB-6 in the bridge and SMB-6a in the neck on his Yamaha bass used between 2005-2006, IMO his best tone on recordings and live. This give some legitimatcy to the 40P5/40CS combo I'm considering.

 
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And about both pickups, what are the main differences in tone?
There are online comparisons of many of the EMG PUs - these will give you a better idea than my words will ever convey about tone.
And if I by the set of two, di I need to buy anything else, to pair two pickups? Just one tone pot will be unnecessary?
Yep, I'm pretty sure EMG provide VVT and VBT (with the correct balance pot) schematics.

There's usually a marked level loss between the J and the CS sections, but EMG have a series resistor mod that evens them out. I don't recall the value OTTOMH or the exact wiring, but a call or email to EMG will get the correct answer. Their customer service is good.
 
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There are online comparisons of many of the EMG PUs - these will give you a better idea than my words will ever convey about tone.

Yep, I'm pretty sure EMG provide VVT and VBT (with the correct balance pot) schematics.

There's usually a marked level loss between the J and the CS sections, but EMG have a series resistor mod that evens them out. I don't recall the value OTTOMH or the exact wiring, but a call or email to EMG will get the correct answer. Their customer service is good.
Ok, thanks for the response!