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I guess I'll deal with the stiffness for now, putting off another string purchase at least a year. I'm still searching for the perfect string for the Kay. Obligatos sounded best but wore out . Mainly I'm looking to add punch, which is the only quality lacking in an otherwise awesome sounding bass. That's why I switched to my Wan Bernadel for big band gigs. The Kay needed more volume than appropriate to cut through, but by itself has a richer, complex pizz tone. Trying to have it all, of course, without spending a fortune on an exceptional old instrument.
Hmm. You liked Oblis on the Kay, need more punch, but it didn't like the regulars. The reduced tension of the weichs may be something the Kay likes. You'd have to try. I will say this. In general, if someone likes Oblis, is dissatisfied with how quickly they wear out, and wants a more durable string with more punch, then my first recommendation would be the Evah weichs.
bearing in mind, of course, that we have no idea how long the weichs will last...
I put some tracks up on my MySpace page (link below) so you can hear how they sound on my bass, with my fingers, etc. Go down to tracks 5-7. 5 and 6 are for comparison purposes - Very Early was recorded with a mixed set of strings: Evah G (regular gauge), really old spiro D and A, Jazzer E. I just got the Zoom and the level was too high so there's a bit of distortion. Doxy was recorded two weeks later at the same gig, with a full set of weichs. Both times the sound is mostly acoustic with a touch of amp (Realist, 40 watt Eden N8 toy practice amp - $140!) Take The Coltrane is in a different room, included so you can hear a more amped sound and how it fares with a quartet. The amp in this case being a WW MI-225 into a Wizzy 10.
The duo cuts are a little unbalanced towards the bass, but I that's due to the placement of the Zoom. I think you can hear the differences between the (mostly) steel set and the Evah weichs. The Evahs don't have any of the glassy high end that the spiros have but I think they have as much volume and sustain (for now). I think you can also hear how similar the weich and regular G sound - the difference is in the feel. If you listen carefully perhaps you can hear what I mean about the Evah weich D being a tad duller than both the A and G, but it's not as apparent on the recording as I thought it would be from my perspective as a player. Overall, I find the differences are not as drastic as I expected, but I like what I hear. I'm still learning how to play the strings, and the E is somewhat rattly, but they are supple enough that I might crank the adjusters up again.
i think the regulars may have had my bass choked.
now my string search can end.
I had a second problem with regulars...they didn't have that much clarity. With the warmth and woodiness, came a vagueness...
I too prefer Woody whenever I can rise to the occasion.