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Ever been in a Tribute Band?

I just got an audition for a classic rock tribute band. They're pretty good. They've got a booking agency behind them and have some notable accomplishments like performing on national TV, selling out their shows, and occasionally playing overseas. I've played in classic rock cover bands in casinos before but never a tribute.

Has anyone here been in a tribute band or know someone who has? Tell me about your experience. What did you like and dislike?

Now I'll ask the hard question :sour: ...does playing in a tribute band kill an original career?
 
Playing in an agency booked band that gigs every weekend will kill an original career. Playing in a tribute band, lots successful original artists do it. IMO, a tribute is a little more upscale (or honorable) than playing in typical cover band... but I'm not sure exactly what you mean by a classic rock "tribute" band. What's the difference between that, and a classic rock "cover" band? People seem to have varying definitions of "tribute band".

I play in a Zep tribute. Not sure what you'd like to know about the experience. It's great because if you're good, the fans are loyal and it's easy to fill clubs. It's great fun if you love the music you're playing, and I've always loved Zeppelin. I wouldn't feel the same if it were a tribute to a band I wasn't crazy about.

Regardless of any of this, it sounds like you've got a great opportunity in front of you. If it were me I'd jump all over it. If it gets in the way of anything else you love doing you can always leave. Enjoy the experience :).
 
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I would love to play in a Zep tribute. It sounds like you're having a really good time there. I hear what you're saying about being in a band where you love the music. Me too - I'd have a hard time playing in a band I wasn't crazy about.

When I say classic rock tribute, I mean they're imitating a famous classic rock band as opposed to a modern tribute band. I didn't discover until recently there are tribute bands for Justin Bieber and One Direction. Don't get me started on that...

Anyways, part of me is really torn because I have a solo album that's about to be launched. At the same time, I got asked to audition for a tribute band.
 
I played in a Pink Floyd tribute for a few years. It was fun, and I got a lot out of learning the tunes (as well as a new appreciation for Roger Waters).

I don't see why being in a tribute band or any other band would kill an originals career. First of all, who would know? Second, why would they care? Once you're a household name, either stop playing in the tribute band, or use a pseudonym. :)

If you heard that a guitarist (oh, I don't know, maybe Steve Morse) was in a few tribute bands (let's say - Deep Purple and Kansas), would that make you think less of his original work?
 
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Anyways, part of me is really torn because I have a solo album that's about to be launched. At the same time, I got asked to audition for a tribute band.

I would audition for the tribute band, but not yet make any decision. If you don't get the gig, you don't ever have to look back. And you gain the experience plus possibly a few worthwhile contacts.

I've been in your position many times, and wonder some days if I might have made better choices. My music career has been up and down and all over the place, and I'm currently in school to be a health counselor. In my training for that it is emphasized that we develop a very clear single focus. I was advised the same 10 years ago in my music career and didn't listen. I had steady gigs, was touring other countries in someone else's headlining band, had 3 CDs of my own music that was gaining some local recognition - but I held on to a flexible day job because I wanted the safety net. I was advised to dive completely into the music, and give that my everything - but I felt I wanted/needed the financial security. I don't actually regret my choice as I'd have probably been a stressed out useless mess if relied on only music, but there are definitely a handful of things that looking back I would have passed on, or done differently.

A happening cover/tribute band could open tons of opportunity for a solo career. It could also squash it dead instantly, depending on what would be required of you. If in your shoes I would get crystal clear about the rehearsal schedule and gig calendar - see how that fits in with the rest of my life - and then decide accordingly. As I said in my first post, if they rehearse weekly and gig every Friday and Saturday then there's little doubt that your solo career is going to get put on hold. Or suffer greatly, to say the least. As I'm writing, I'm realizing there are a plethora of things to consider... too many to write here for sure :). I'd get some paper out, jot down all the pros and cons I could think up, keep asking others what their experience is (not their opinions), and keep in mind that even if you do it, it doesn't necessarily have to be forever.

The one thing I will never do again is get involved in a band with a lot of talk and promises, but nothing concrete to show for it, ie; The guitarist is best friends with the owner of the top agency and as soon as we have 2 solid sets they're going to hook us up with regular gigs at their best clubs. Even if that best friend agency guy tells me himself, which has in fact happened. I'd also keep my ears wide open at the audition, and make certain I wasn't lying to myself about what the band actually has to offer. Trust my gut a little more than I have in the past. And ask lots of questions.

Good luck, with whatever you decide.
 
One thing to keep in mind when doing the tribute thing is that the cost of entry is higher than a typical cover or original project (if you already have pro gear before either of those endeavors, of course). A friend and old guitarist of mine was being scouted for a project that would do one set each night of AC/DC, Van Halen, and Bon Jovi. At the time, he didn't have an SG, Frankenstein, or Wolfgang. When he did the numbers on guitars alone, not even considering stage costumes, he determined it wasn't worth it. The project lasted about eight months before folding.

The tribute thing never personally appealed to me, but I'd never discourage anyone from doing it if that's what they want to do. It's as much theater as it is music.
 
i was in a misfits tribute band briefly with a girl danzig, it was a lot of fun, but the pro session drummer got a high paying gig in vegas, and left, can't say i blame him, playing in art galleries and living rooms for free requires a lot of commitment
 
I'm doing a Priest tribute/cover band now. It's fairly simple to me, as I learned by playing Maiden and Sabbath finger style. It's easy to pull an all black Tshirt out for wardrobe. It's great though because you have a built in crowd. After the initial investment in the time it takes to learn the set there isn't much work that goes in and you will have time for other projects.
 
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I like playing in a tribute band, mainly because it's hard, and the audience are very demanding- so it keeps you on your toes, and the audience are often the experts - they know the words to all the songs and spot mistakes very quickly. They're also very happy to come up afterwards and tell you how much they likes X but weren't so keen on Y. We just got back from a 60s mini-cruise with two other bands, and we all had a really good time.

The only thing you have to do is decide what you are. Are you going to go headlong for ultimate realism - with the original band traits - calling each person on stage by their 'character' name, retaining an impersonation of the original band, or do you do the thing as a tribute TO the originals. I've heard some who tell the audience they love the music Queen, but the lead singer says he will never be Freddie - so you listen to the music, and they are not impersonating the original. Other bands do the original costumes with wigs and even the correct guitars. It doesn't really matter. Some do seem to think they are equal or even better than the originals, and that, I hate!
 
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Was in one of the larger Stones tribute bands on East Coast in late 70s hoping it would be my ticket to a music career

My takeaways
*As mentioned, a successful one can have HUGE overhead. Manager, booking agent, trucks roadies and proper attire and gear.
*Was holding down a day job while playing up and down the coast is something only a 20 something can do and challenging even then
*We all starting believing we were the people we were pretending to be and many developed abuse, ego and women issues. I'll plead the 5th here
* By the time the overhead was taken out of gigs paying up to $10k, most times we saw below $100 on a good nite, being told everything was being reinvested in the band
* Hard to believe but I was not discovered and asked to join a real touring band
* Became so disgusted w the entire experience quit the band and playing at all for 17 years
*Probably wasn't helped by fact that I have never really liked the Stones music either

Bottom line takeaway a hundred years ago for me was that I should have found the right band playing music I liked

OP Pls feel free to PM me any questions . Made a lot of ignorant mistakes up front that could have easily been avoided w a clear head. Most critical was not having travel comp and overall per gig $ nailed upfront...

Good luck, not all bad, did have some large fun and met all kinds of interesting people, specially the feminine kind.... Yup even the bass players got noticed
 
Has anyone here been in a tribute band or know someone who has? Tell me about your experience. What did you like and dislike?

I have been in a few local regional types. It was good, all except for every one of them eventually over saturating their given markets. There's only so much of "Artist X" a region wants to see. At this point I am working with and focusing on a tribute act that books nationally and abroad fairly consistently. The players I work with a top shelf, the act, himself, is a tremendous talent, and I've not yet run into anything I dislike about it. We are all nothing but very well taken care of in this particular act.

...does playing in a tribute band kill an original career?

So far, for me, no. I get plenty of recording and writing in during down time. I'm working with another artist in this area who, herself, does tribute shows and on the side we're doing our thing together. The beauty for me, as a bassist, is I don't get pigeon holed as "oh, he's that tribute act." I can become anything I need to be because I'm not the face of any of these shows.
 
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i've always been in cover bands ... that played a few originals thru the night ...

i've always been a bit confused about Tribute bands ... back in my ' hay day ' 70-80's ... there was usually quite a difference between a bands 45 or hit single ... their ' album Lp version ' ... and what they did Live .!?

so which version of a band 'hit' would a Tribute band play .. ??!

my cover bands did a mic of all of those versions ... depending on which we liked best ... !!

i would think that if the band is good ... then it's 'good' exposure and name recognition for you ... i'm 57 , and i've ran into folks down here in Florida that remember a Cleveland band i was in back in 1979-80 .. !!
 
Tribute gigs can be awesome if run well (like any band). Been in a few, filled in for a few. Make sure you like the music. Helps a lot if they were a favourite band of yours growing up.

Balancing the two? It depends. You've given us no details of your originals music. Find out how often you'll gig/rehearse with the tribute, and work out if you can run your own at the same time.

I had six years in an originals band (writing, recording, national touring). They take LONG TERM effort to get any traction. First two years were really slow, next two fairly busy, last two years hit a ceiling. Two EP's and 4 albums, nothing happens overnight.

I'd say audition & test the waters. Also write a long term strategic plan for your originals stuff. Try them both and see which one really takes off.
 
I'd love, LOVE to be in a King Crimson Tribute band. I even had the bald cap. ;)

Tribute bands are becoming huge in the cruise industry. The people who drive the industry don't want to hear Lawerence Welk, they want to get the Led out. I mean, there's something like, 4 Beatle bands, all pretty darn good, and they all make pretty good moolah.

I was in a classic rock band years ago, and we where all eyeing doing this shift. But the Jody got married and it all fell apart. Should'a known....
 
I play in a Porcupine Tree tribute band, Cloud Zero, in addition to my regular almost all originals prog band, Chaometry.

I enjoy it because I'm a big Porcupine Tree fan, and it gives me the chance to play with other musicians and do some gigs. The music isn't difficult but still interesting, and it's great to work with another drummer (more of a jazz drummer than the drummer in my regular band, who is more of a prog/prog metal guy).

I like that the music is always something I like, and no matter what song we work up I enjoy it. I've played in two other tribute bands years ago, a Rush tribute and a Dream Theater tribute, and liked those as well, but somehow the Porcupine Tree band is more fun, maybe because it's not as challenging on bass as either of those groups and I can relax a bit more.

There isn't much about it I don't like. We gig fairly frequently, have a great set list and the guys are older, experienced and fun.

As for killing an originals "career," as long as you work in originals on the side (or do the tribute on the side), there's no problem. My other band, Chaometry, is almost all originals (we do a few Dream Theater, Yes, ELP, Rush, etc. covers) and it's fun, but MUCH more challenging technically and doesn't gig as much. If the Porcupine Tree band stopped, I'd look for another tribute, maybe a Genesis, Beatles, Yes or ELP tribute (especially a Genesis tribute).

Tribute bands (to me) should be about having fun and enjoying a great band's music. YMMV.
 
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I was in 2 different tribute bands, the 1st was a King Diamond tribute, the 2nd was a Journey/REO/Styx tribute...

Only did one gig with the king diamond one, and I play with the journey one for about 6 month's, best paying gig I had before my current situation, plus the singer could copy *anybody's vocals* perfectly!! Though I recently found out they got a cease and desist letter from journeys management
 


Here's the journey tribute, no, that's not me playing bass either(I can't find footage of me with them, just some pics)
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, it was probably some of the most pro gigs I've done were with these guys...I guess to OP, you *can* make alot of money and get some cool gigs, for others it *has* lead to bigger and better things, it was real fun for me, of course if your starting up something like this you need lots of money to do it right, but if your walking into an already established situation its pretty easy...
 
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