corinpills said:
Joey Spampinato from NRBQ is one of the most amazing players ever (gigging continuously since 1969 will do that) and he used cheapo Jerry Jones Danelectro copies.
Actually, while still inexpensive, the Jerry Jones copies are more expensive even though they are better contructed than the original Danelectros, and much better than the cheap "new Dannies" made in the '90,s.
The old Danelectro and Silvertone basses didn't have trussrods or adjustable bridge saddles. The Jerry Jones basses have those as well as much better fretwork.
Of course Joey was playing Dannies before there was such a thing as a Jerry Jones bass.
I split my playing time between a Fender-style bass and a Jerry Jones Longhorn. The Fender-style was built by a well known NYC luthier and sounds great, but when I'm trying to get a certain kind of sound, I much prefer the Jerry Jones.
I also have a late 1950's Danelectro that was never an expensive instrument but whose sound might be even more appealing to me than the JJ copy. The problem was that the inferior hardware of the old Dannie caused intontation problems. The bass was great unless you played the A string above the 5th fret, then the intonation was out.
If I rearranged my playing to compensate for this, nobody would be the wiser. Unfortunately, that was too limiting and I bought the JJ so my playing would be less like traversing an obstacle course.
I think that the main thing that fancy gear can give a player is increased ease in playing and in obtaining "their sound". When I'm playing through "bad" gear often I can still get my sound but my hands will ache afterwards from the effort. This happens when I'm playing a good bass through a bad amp, which tells me that the pain caused by having to adjust my technique to compensate for the sound, not because the instrument has become harder to play.
Some instruments' "problems" might not bother the player at all, even if they're very knowledgeable. For example: a slightly warped neck might prevent a bass from having a low action but if the player always keeps a high action the bass, they might never even be aware of the warp.
Sorry if this was too off-topic!
