I'd love an SG bass if they were 34" scale. I'm not interested in short or medium scales.
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The circuitry takes out most of the bottom (at least with mine) with the button engaged (I believe it's the series cap that does that) and takes out a lot of the mids and highs when out (I believe the choke does that), if you unhook the choke the bottom stays but you get back the mids and highs which makes the bottom less pronounced because both are taken out of the circuit, I still cut the bass on the amp though when playing it but it sounds a lot more balanced between high and low notes, I think it's more like an EB-0, those don't have chokes, the top diagram is the EB-2 and the bottom is the EB-0. Someone that reads schematics better than me can probably explain it better.
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There was one in the Epiphone catalog a few years ago, maybe they will put it back some day.I'd love an SG bass if they were 34" scale. I'm not interested in short or medium scales.
Not left-handed, though. Only Gibson seems to offer their basses left-handed.There was one in the Epiphone catalog a few years ago, maybe they will put it back some day.
I bought one of these brand-new in Dec. 1973 ! Kept seeing hanging in the showcase at my local music store and finally had to have it. I traded it for a new black Jazz Bass about 2 years later. It did have a wide variety of sound options, but I never could get used to the light string tension and the weight !
Thanks for this. I'm not prepared to try messing with the circuits on my own but experimenting with what I can do with the amp to roll off some low end sounds like a good idea to try.![]()
What are you waiting for? No affiliation. But a stellar deal.^^^^Agree with @bobyoung53 that it is like anything, acquired taste. The ones I've played were generally well made and the T-Birds are super cool, they have a great rock'n'roll rumble. They are large and not super light but who cares. They fit into a niche and have a cult following. I owned a Ripper and it played really nice. Never owned a Thunderbird but I have played many on loan and would buy the right one because they are cool.
If anyone out there is interested in a Gibson Victory, this is the one you want. The “Custom”. While all are good, these for some reason are a bit hard to find. You get all the perks of the “Artist” less the circuit board, and 9 volt thing. This is a passive system. This was a two to make one thing this last year. Bought one Bass with a great neck, body stuff was well.......... Along comes a fully loaded body for sale that had a twisted neck or something. Done deal. The last really nice custom I have seen was in another country, price was not bad, shipping was off the charts. I passed, it was a mistake. Just too many other “deals” going on at the time. Just my luck. Quite common to see case handles like this. When you figure you are packing around 13 pounds of Bass, then adding the case weight, no wonder the rivets give out. You can see what these and some other vintage Gibson Basses look like “under the hood” at www.flyguitars.com. Hope the pictures come out ok, yes I know I am off topic, but I specialize in it. View attachment 3895463View attachment 3895464 View attachment 3895465
He hasn't searched at all. Oh, and they all sound like mud too.![]()
I don't understand the comment about Gibson bass owners wanting their basses to sound like Fenders. Mine doesn't sound like any Fender I've heard, and I like it that way