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I think it’s important to make a distinction between a musical (a story told through spoken dialogue and songs) and an opera (a story that is sung). Pieces such a “Tommy” and “Jesus Christ Superstar” are examples of rock operas.
My favorite musical is “Little Shop of Horrors.” As for rock operas it would be “Jesus Christ Superstar.”
West Side Story, because when you’re a Jet, you’re a Jet all the way…
ut in 2018 I saw the last ever performance of Alan Cumming as the master of ceremonies in Cabaret on Broadway, which was the best overall performance of anything I've ever seen period. Cummings Cabaret gave it degrees of reality never imagined in the 70s. Joes Grey was embarrassed to be so "vile" Cumming made it into the Full Puck Celebrating the End of the World. And it was, he dies on the electric fence trying to escape. This is how it started in 93 in London Mz Jane Harrocks as Sally Boles
I hate musicals. Just my opinion. I only enjoy them when I can sit right over the pit and watch the musicians. Never understood the concept. I am sure that there is just something wrong with me, and I am sure many of you will be happy to point that out.
Would Pink Floyd's The Wall be called a musical? I think it is.
Alas that definition doesn’t hold. Many classical operas have spoken dialog (e.g. Singspiel as a sub-genre, The Magic Flute, Fidelio, Peter Grimes) while many musicals are entirely sung (e.g. Seussical which I played a couple of years ago—as well as Cats and Les Miserables). The distinction is perhaps most that the words of songs are generally very important to the story in a stage musical while in opera it’s really all about the music. In this sense, Tommy and Quadrophenia were always musicals.
I can’t wrap my head around what the dancing would be for that.