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You right. Finch gotta be stopped! (what a melody!)I've played many musicals from the pit, and my favorite remains How to Succeed in Business Without Really Trying. It successfully blends nutty farce with biting satire without sacrificing the romance, the music and lyrics are top-notch, and the mid-century aesthetic is tons of fun. The '67 film version with Robert Morse, Rudy Valee and Michele Lee, taken largely from the original '61 stage production, although without a few important songs, is an absolute classic.
I can't get past the idea of conversations in song.I think musicals are, for the most part, horridly cheesy. I do like much of the music however (Hair being a personal favourite).
Is that really a musical though? Not much music or singing, except for the DVDA part.Orgazmo
I never knew that that was him, but you think about those lines on "You're the One That I Want" and it makes perfect sense. My favorite tune, as a bass player, in the movie version of Grease.
I've gotten to play a production of Grease twice. Regrettably, the score for Grease does not include "You're the One That I Want", nor "Hopelessly Devoted to You", "Summer Nights", or "Grease is the Word".
If you're prepared to stretch the medium a little, "Fame" has some killer bass playing, and Alan Parker at the helm - likewise "Bugsy Malone".
If you're prepared to stretch it further, "Flash Gordon" has Queen, and Brian Blessed.
Its really all I remember from that movie. I sing it aloud when I see something like a diesel Dodge Ram "rolling coal" (aka choking black smoke) or the sort.Is that really a musical though? Not much music or singing, except for the DVDA part.