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Favorite Sir Paul tone?

The tone he got for A Day in the Life.

One of the earlier examples of the later common practice of going direct into the board for bass. It generally sounds like dry and punchy crap when isolated. (As opposed to miking a bass amp, which often sounds good in the studio, but far less good in the mix.)



However, in the mix, Paul's bassline is absolutely magical.

Thank you George Martin! :thumbsup:

I actually like that direct sound. All it needs is a bit of EQ, and you've got a golden tone.

I think good examples of where you can hear a purer version of his Ricky is on the Anthology series outtakes of 'Mr. Kite'.