Marcus, I'm fixing your reply. It got lost in Marko's original quote. For everyone else, if you haven't noticed, Marcus is new to the forum and I suspect he might be getting a little confused by the jargon we throw around all the time. So, just for the sake of clarity;
MIM: Mexican-made
MIJ: Made in Japan
CIJ: Crafted in Japan (there's a difference between a few factories in Japan, this is so we know which one it was made at and when)
MIA: American-made
pups = pickups
Etc, etc…
Just by the fact of it being "ACTIVE" will increase the sonic output. It doesn't necessarily mean it will sound better to your or other's ears. But if you were to plug both into the same amp, with the same settings, I'm willing to bet it would have more presence. However, with enough amplification, you could make even a ukelele fill an auditorium.
Like Marko said, they're MIJ, which presumably should be better. I, for one, try not to let "country of origin" color my perceptions. Unless something is wretchedly built, I try to see things as "different", not "better". Here's two examples;
- I built a bass from parts (a Franken-Fender, if you will) earlier this year, but I haven't had much luck getting a sound I like. Although I prefer a more aggressive tone, the Seymour Duncan Quarter Pounder Precision pickup may be a little too harsh. I recently bought an MIJ P-pup from the classifieds
section, and when it arrives, I'll see if I can get a little "mellow" back into the sound.
- This will also address your Blacktop question. (Didn't I already talk about it in another of your threads, Marcus?) Yes, the Blacktop basses are MIM. Does that make them "no good"? Not by my measure. As far as I'm concerned, it' kicks serious @$$. I'm so impressed someone can get so much bass for so little money! But I think calling it a "jazz on steroids" is a rather confusing term. (There are many debates and opinions around the forum as to what constitutes a "Jazz Bass". Some base it on the pickup configuration. I, personally, go by the body shape since electronics can be altered…like having, say, a Lexus with a Porsche engine in it. As far as anyone can tell, it's a Lexus, no matter what's under the hood.) It's a Jazz bass that happens to have a pair of split-coil Precision pickups installed instead of a pair of single-coil Jazz pups. When you solo the neck pickup, you get something pretty-darn-close-if-not-spot-on to a classic, Precision sound. When you start adding in the bridge pup, it takes on a sound unique unto itself…aggressive, boomy, ballsy, kicks-like-a-mule, choose your own adjective. I suspect if you were to hand it off to most bassists for a blindfolded test, making sure they couldn't get any clue of it's model or country of origin, they couldn't call it "inferior".
The last I heard Duff was using a refinished Reggie Hamilton body mated to a Geddy Lee neck, or at least, that's what Reggie himself said. Sounds like an interesting hybrid, no?