That rig should sound killer! Nice ASAT too!
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I was at GC yesterday. They had a 100T on clearance for $999.99 and a Super Bassman for $1399.99. I just had to play the 100T. It was very impressive! I almost bought one last year and playing this one reignited the fire...
…An update from ME too...! My second 100T has been working flawlessly since I have it (~ 1 month), except the top handle that I've needed to replace... HOWEVER, I decided to upgrade to the Super Bassman. The extra wattage will be welcom'ed (100w is a little shy), and the main reason is the DI out on post is after some kind of speaker emulation... Useless to me. If I want a speker tone, I mic the CAB. If I want a DI, I want a DI. I don't get why they did this that way... YES, I know I can use it PRE, but I like to have access to an EQ. The S.B. has his DI post EQ if I read correctly.
Absolutely right. The DI on the 100T is a killer. In just about every gig we've done requiring FOH support for the bass, the engineer has raved about the sound. I've only had one opportunity to use the 100T in studio, and this was a real studio, big analog room, engineer with a wall full of gold and platinum, and he said it was the best sounding bass DI he had ever heard. And there was no noise problem. I do beleive the DI has speaker emulation as well as being post power tubes, which I have never heard of anyone finding this even remotely a problem until now.Bonjour David.
I know nothing of speaker emulation being part of the balanced out on the 100T. It is post power tube section. That is one of the reasons I bought the amp. Hell, I figured it was something like having a Reddi! I love the DI XLR out to F.O.H. Sounds ' juicy tubey' to me and I have gotten the same feedback from others, including sound techs!.
Marc
What I was trying to point out was that I didn't get the praise for the amp's DI from some jake-leg with a ProStool closet, it came from a qualified engineer in a real studio who does major label work. Obviously that doesn't mean anything to you, but just throwing it out there.For ME, no matter how big my studio is, or how many gold and plat there's on my wall, post power amp surely is a great idea but speaker emulation is not. Why do you want a speaker emulation when you can mic a well choosen cab with a well choosen mic in a well choosen spot? If there's a speaker emulation, there should at least be an on/off switch.
It does if you are running your DI post power tubes. Which the 100T does.Silent mode does not require a speaker attenuator.
And the Super Bassman does not.It does if you are running your DI post power tubes. Which the 100T does.