Local store has a killer Indonesian Squire jazz bass they can't seem to sell. Waiting until they are desperate to get rid of it. I don't NEED another a bass, unless it's a sunburst P with a tort guard.
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I MUST HAVE ONE TOO. BECAUSE. P-BASS.Local store has a killer Indonesian Squire jazz bass they can't seem to sell. Waiting until they are desperate to get rid of it. I don't NEED another a bass, unless it's a sunburst P with a tort guard.
If Kanda Shokai continued to make the kind of MIJ basses we've known,
and made them easily available in the USA through a distribution network,
I would consider this fantastic news, instead of bad news.
I picked up a lefty MIM J off GC's used page for fairly cheap ($399, not sure whether that's really a deal or not?). Quite impressed with the quality and condition of it, much better than I really expected, virtually new, other than a small ding and scrape on the bottom side edge. Put together quite well. Now restrung righty, of course!Part of me hates this with every inch of my body, but simultaneously, I've been recently VERY impressed by MIMs and especially Indeonesian Squiers. Ultimately, modern mainstream production involves so much automation, digital machining, ultimately the human factor is only fully involved in the painting/oiling process, fretting and perhaps electronics installation. I totally feel for all the Japanese workers, just like the Undercover Boss episode with Peavey; it's an evil move by the corporate honchos. From a consumer perspective though, idk if it really hits me that hard, though I do love myself some MIJs. A lot.
I totally feel for all the Japanese workers, just like the Undercover Boss episode with Peavey; it's an evil move by the corporate honchos.
who cares..i for one never bought a bass that was not made in the good ole u.s.a. its bad enough that they own the auto industry ,electronics,etc...but our beloved musical instruments too?!?!?... BUY AMERICAN,SAVE OUR FUTURE...PLEASE!!!
very true, and not relevant to my point as we live in today, and China today is a hit and miss (mostly miss) bag of hand production and business/labor ethics problems.. There are a few examples of nicely made stuff in China, and almost always it's because there is pride in the product by a workforce that is not poorly treated or paid. Japan on the otherhand has historically and culturally been obsessive about workmanship, and what problems there were in the post war era were largely the doing of American businessmen trying to exploit cheap labor.
largely the doing of American businessmen trying to exploit cheap labor.
Part of me hates this with every inch of my body, but simultaneously, I've been recently VERY impressed by MIMs and especially Indeonesian Squiers. Ultimately, modern mainstream production involves so much automation, digital machining, ultimately the human factor is only fully involved in the painting/oiling process, fretting and perhaps electronics installation. I totally feel for all the Japanese workers, just like the Undercover Boss episode with Peavey; it's an evil move by the corporate honchos. From a consumer perspective though, idk if it really hits me that hard, though I do love myself some MIJs. A lot.
who cares..i for one never bought a bass that was not made in the good ole u.s.a. its bad enough that they own the auto industry ,electronics,etc...but our beloved musical instruments too?!?!?... BUY AMERICAN,SAVE OUR FUTURE...PLEASE!!!

if you are not from here your opinion does not count since you have no clue...yes...the last 2 posts...i quess i should not talk from my heart but come on man that was rude...!!
Why would anyone outside of the bean counters want to stop basses like this being made?
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So glad I picked up a used P/J Aerodyne from a TB'r here recently. It's blue with matching head stock, cream binding, such a nice bass. Its too bad Fender continues to make these poor decisions...![]()
Are you toasting marshmallows in the glow of burning books, by any chance?if you are not from here your opinion does not count since you have no clue