This is helpful: D'Adario Nickel Rounds vs. La Bella Flats on a Jazz
Fantastic video. Really helps to confuse players considering how great both strings sound! Personally- I'm a flats-til-I-die kind of man.
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This is helpful: D'Adario Nickel Rounds vs. La Bella Flats on a Jazz
Jealous! I would literally start to cry having that bass in my hands. Literally. Tears everywhere. Such an amazing player and so sad and tragic.The famous Berry Oakley sound on Fillmore East is Rotosound roundwounds on the infamous Tractor "Jazz" bass with the Guild pickup. Most of the songs have that "well played in" Rotosound sound, to me anyway. I actually held and played that bass. I was in Austin hanging for an evening with Bloodline, Berry Jr.'s band from the early 90's (long story but true), and the Tractor came up in conversation. "Want to see it?" Sure...he grabs an old Fender case and out it comes. It was like being handed the relic of a saint. I played it for a few minutes. Life changer. The string action was way low...right on the frets. BO Jr. said that was how his Dad had it. Go back and listen and you will hear that.
Here's some Joe Osborn:
I thought he was using Rotosound tapes?Herbie Flowers on many many records
Yeah I agree with you on all counts. Especially in regards to John Paul Jones there's actually some isolated tracks floating around out there and having been a Jazz with flats player for some time, there's no way he's not using flats on a jazz bass on some of those Led Zeppelin records. Even the deadest of rounds don't have the same sound on a jazz bass as a set of flats in my humble opinion, especially with both pickups and the tone wide open.Some observations on some of these posts...
David Hood also used an Alembic, and sigle-coil Precision. That's the SCP on The Staple Singers' "I'll Take You There".
Herbie Flowers use Rotosound nylon tapewounds, same set since he got the bass.
Joe Osborn never used the bridge PUP on his famous Jazz bass, but the same set of LaBellas for well over 20 years.
John Paul Jones has said more recently that he never used flats with LZ, but in a 1977 he said he used flats until he got his first Alembic. As that was much closer to the events, and the interview in Guitar Player was much more comprehensive than more recent ones, I'm going with flats on the earliest Zeppelin recordings.
This. There is no way that isn't a J w/flats on the early recordings.Yeah I agree with you on all counts. Especially in regards to John Paul Jones there's actually some isolated tracks floating around out there and having been a Jazz with flats player for some time, there's no way he's not using flats on a jazz bass on some of those Led Zeppelin records. Even the deadest of rounds don't have the same sound on a jazz bass as a set of flats in my humble opinion, especially with both pickups and the tone wide open.
If I'm not mistaken, this is Joe Schermie on his Fender Jazz with Rotosound flats:
Joe used Fender flats.
That's actually my bass, which I purposely turned into a JS Tribute bass years ago! Still use it. Thomastiks on there, BTW... ;-)These photos of Joe Schermie's Jazz bass show red silk, which suggests Rotos. I don't think Fender flats ever came with red silk, did they?
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That's actually my bass, which I purposely turned into a JS Tribute bass years ago! Still use it. Thomastiks on there, BTW... ;-)