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I like the bass, especially at half the original price, but taking off the neck to adjust the truss rod?
Please!

I'd by a vintage bass with no truss rod access, but I just think it was a bad idea for a modern bass.
This would've looked great in Candy Tangerine, but
I just can't get into short-scale basses, despite having small hands.
)It's heavy! It has neck dive! And you have to take the neck off to adjust the truss rod!
I'm only saying that because I'm getting sick of your threads causing me gas.
That's all.
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That bass almost kicked my butt when it came outYou know you WANT that bass!![]()
That bass almost kicked my butt when it came out. I wanted it bad... seeing it again kicked up the same feeling, and then I remembered what killed my gas the last time.
Had to nip this one in the bud and remind myself.

Aha, thanks for clarifying. I initially was thinking Jazzmaster. I also agree with you that the overall vibe of the bass is cool. All of the design influences just work well together.It's not a Jaguar body, it's a Bass VI body. But yeah, it seems they could just move the bridge back and make it a full scale bass without increasing overall length or weight. Then your right hand can go wherever is comfortable.
I think these look really cool. Love the bridge design and the ocean turquois color. Matching headstock, lipsticks, even the pickguard looks cool. Tempting to be sure.
I actually liked the Epiphone Rumble Kat...but just couldn't buy it.Totally, re: Short, even medium scales. I've had some real nice ones too: Dano,Jerry Jones, Birdsong, even a super-kewl Ampeg Dan Armstrong re-issue. All history and never again. Can't hang.
I recently got a...33" scale AriaProII, built in Japan- That's a ticket, you don't notice, feels like a long-scale, but is very fast and tight.
(All above basses had 21st-century TR adjustment BTW!)
I think that Jason Smith, along with the FCS approach, might go for building/designing basses with "Classic" Fender Features. I had an awesome FCS P-Bass that again, kept the neck-removal thing going too.
Fender's "normal" production, don't they now go w/ spoke wheels, etc.? Pretty sure the Dimension did, but I haven't really looked at Fender's current stuff lately.
I actually liked the Epiphone Rumble Kat...but just couldn't buy it.
Regardless as to your take on what I wrote.
It is ALL about the marketing. A product's viability is made or broken based on it's marketing. And a HUGE part of that is the name that helps to determine where in a line something goes and what group it is marketed towards. "Rascal" is an abysmal name for a product like this. It is unfortunate, because it actually does look like a reasonably well done bass. If they had kept to the tradition of horse related names (bronco, mustang, etc) it could have been a real winner. If they had gone with something like "Pinto" or "Palamino" it would have potentially not turned off potential buyers.



The original Rascal. as others have mentioned, was a on-off tour de force by FCS's Jason Smith. It was much more of a "look what I can do" exercise than a prototype for a production bass. I was very pleased when Fender decided to produce them; and, as usual, disappointed (again) when Fender decided "No Leftys". I went to the trouble of visiting the Costom Shop dealer in Riverside, CA., and trying to have one made. They tried repeatedly to make me go away. Finally, after telling me it would be a Master Build, $10K bass didn't work (I had the cash money in my pocket at the time), they just told me to F**k Off, and hung up on me. So I did. Built a Warmoth Mini-P bass instead, and bought a high-end AR-15 with the rest of the money. I'm more then happy with both...![]()

Curious which flats you used on your Rascal I am looking to replace the stock stringsI have one. It's pretty cool. I put Labella flats on mine; it is nice and thumpy and has a great muted pick sound. I don't think I will use it live but it will have a place on a few of my band's tracks.