TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
You've got some pretty serious space constraints, given that last paragraph!Looking for some advice here - I play in a bluegrass trio so I don't need a ton of volume, less is usually better. We tend to play small clubs, parties, etc. For louder gigs I tend to put a little in our FOH to keep my stage volume lower.
...I would love a small rig that would fit in my Miata and be powerful enough for gigging. We have a couple gigs coming up where a smaller, more portable rig would be a great advantage. I am thinking about the Rumble 100, which should have more power than my larger rig.
It sounds really good, and it will give you some different tones with the vintage, contour and bright buttons. There is also the overdrive which is not bad at allOooo! how's it sound? I've read tons of reviews online about the new series and I'm very interested in the 500!
Look what i found.
WOOT!
Thanks for posting TitaniumRX! Great comparison. Fender Rumbles really have balls!
I could never understand how anyone could possibly think they sounded good.
WOOT!
Thanks for posting TitaniumRX! Great comparison. Fender Rumbles really have balls!
Ampeg BA combos were always weak and anemic sounding, and the new ones are no exception. Flabby rubber bottom and muddy mids. Very boxy sounding with dominant high mids that you can't dial out as the ampeg's mid control is very weird and doesn't cover that range anyway. Plus ampegs are well known to be highly unreliable along with low quality rattling cabinets and cheap woofers that buzz and fart out not to mention hiss pouring out of the tweets.I could never understand how anyone could possibly think they sounded good.
Rumbles Rule!
![]()
I'm not impartial at all. My pro-Fender bias is well declared: I Love FenderIt seems you're promoting the Rumble series everywhere it goes! You're very vocal about it, too. You're so dedicated to it, I'm not sure you're entirely impartial.

So.......as it turns out I won't be joining the Rumble Club.
I tried the 500 and it was so much more than I need at the moment...... and probably for quite some time yet and I couldn't quantify the extra spend.
I had a play with a Peavey Max 115 300w and thanks to a young bloke working at the shop who casually walked up and made a few quick adjustments (and obviously knows bass sound and settings so much better than me) I had the exact sound I was looking for in less than a minute. Not only that but i got it for only Au$385 which is $100 less than the Rumble 100 and nearly $300 less than the Rumble 200 (that's the cheapest sales price for the Rumbles around here, not retail). I figure at that price if I find it's not keeping up at gigs in the future I can always trade up without losing too much on the original price.
Anyway, thanks to everyone on this thread for advise etc.
Bag, promise to let us know when you trade up for another amp, which might be sooner than later. I tried that same combo vs. a Rumble 200 and it honestly was no contest when comparing tone, build quality, and weight difference!
Just be careful of those cheap white knobs because they're one hard knock away from breaking off. Do get the extended warranty online if you can.
Again, good luck with your purchase and don't be a stranger.
My opinion is that anything is possible....I double up on most of my gigs with my '76 Jazz and an Upright Bass. I run both through a passive A/B and then into a Fishman Pro ( I have both piezo and electro p/u's on the Upright).
Has anyone run an Upright through a V3 combo ? I'd be very keen for opinions.
Cheers.
My opinion is that anything is possible.
That said, knowing how many upright players stress about feedback and use small, articulate, hi-fi rigs from companies like EA, Acoustic Image, Phil Jones, etc., I'd be pretty surprised if a new Rumble floated your boat.
They are at the other end of the spectrum: quite coloured, with a prominent low-mid push and a retiring top end.
I saw Esperanza Spalding playing both her Double Bass Violin and her fretless Fender Jazz bass through an Aguliar Tone Hammer (couldn't tell if 350 or 500) and a single SL 112 neo cab. That's about a $1,500.00 rig, and far from transparent or hi-fi, of course she sounded fabulous.And there is my dilemma...I've dealt with the feedback issue by using the Fishman pre-amp but hi-fi is not my thing. I guess I'm looking for a light, 500w combo that is not too bright but allows the natural sound to come through.
Another great demo of the Rumbles.
