Oh No! Not Science, Facts, and Stuff!IF I did the search correctly, I didn't find many complaints of fan noise in these 1,430 pages of over 28,590 posts.
The question of fan replacement has been asked before, but I found no response to it.
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Oh No! Not Science, Facts, and Stuff!IF I did the search correctly, I didn't find many complaints of fan noise in these 1,430 pages of over 28,590 posts.
The question of fan replacement has been asked before, but I found no response to it.
Oh No! Not Science, Facts, and Stuff!
First of all why would anyone even think of putting a high powered stage bass amp in a studio environment? You'd have to use a stethoscope to hear the fan in the Fender Rumbles anyway. At recording volume if you were close micing the cabinet you'd never hear the fan even if you mic'd it with a Telefunken U47! So minor complaints of non-existent fan noise is a moot point at best.
Nope, I have to put my ear right on the case to hear it. Perhaps it's defective?I put my new 500H and one 210 cabinet in my studio and the first thing that I noticed was the fan noise. My studio control room is very quiet and I find this noise a little annoying. It isn’t loud but it definitely isn’t quiet. My practice amp has been an Acoustic Image Contra (great for upright bass and small jazz gigs) and it is dead silent. I’m guessing that the Rumble Head won’t find a permanent home in the control room.
Does anyone else find the fan noise annoying?
Welcome Rumbler #939! Which Rumble do you have? What is it about the sound you think isn't right? Try checking out Rumble wiki page. It can be a lot of help. Rumble on!I`m passive, running quarter pounders, decoupled from the floor with a tiltback stand, about a foot off the floor..I might just be over thinking everything here..The amp is new to me, and more than likely it`s all mental..I`ve asked a few friends that came down to hear us play and they said the amp sounded great, so maybe it`s my ear(s) and I`m being over critical..
So.....how do I join this Rumble club?
John
Thousands Upon ThousandsHas anyone else made this switch?
Maybe the fan in this one unit IS louder than others...? Sh!t happens. I've never noticed the fan in my 500C either.
I'd go to a store that has another and compare.
Hey guys! I currently have an Ampeg BA 210V2 that I think is a pretty decent amp. However, when I plug my basses into my buddies 200 watt rumble the sound always blows me away. I had planned on getting an all tube ampeg rig, but I really just don't have a need for it right now. I know I'll get one someday, but for now it's just kind of not ideal. However, I am thinking of switching to the Rumble 500 because I feel it would really be an upgrade. Plus, maybe Ill have money left over for another bass. Has anyone else made this switch?
I like the way you think!However, I am thinking of switching to the Rumble 500 because I feel it would really be an upgrade.
This really should be Bass Player Acoustics 101 along with the basics of cabinet coupling effect and Fletcher Munson Effect. People you need to know this stuff.I could use some info about floor coupling/decoupling. Doesn’t decoupling lose bottom end?
I almost bought that same combo over my 500h+210 (essentially a 500 combo). I also used to always want an Ampeg tube rig, even considered the PF50t when I was looking at amps last.
The Rumble doesn't do that Ampeg grind, but the Ampegs don't seem to do much beyond that. I've gotten some pretty fat tones from their 15" combos in the past, and played a couple SVT stacks. For some reason while I was saying about how awesome these things sounded I never bought one. Well once I bought a BA115, but before leaving the store I changed my mind. I ended up with a MusicMan Stingray and stuck with my Fender Bassman 100 for another year or so.
The Rumbles go deeper, they get punchier, their OD is wonderful, and I find myself loving mine every time I use it. I also think it looks way better then any of the BA combos. And 99% of the time Ampegs stuff is heavier for less watts and low end.
Outside of that I've got no objective or even really definable reason for why I switched. I've always felt my subconscious push away from Ampeg despite always talking about how it was the sound. My friend put it this way: "The Fender is this incredible woman with a great personality, and she's pretty hot. The Ampeg isn't as good a woman but her boobs are nicer. So what do you want wife material or boobies?"
I bought my Rumble the next day.
Do I still want an Ampeg tube amp? No not really. I don't think I even need a separate guitar amp. I'd be surprised if I ever bought anything Ampeg in the future now, I don't lust after that sound at all now. YMMV of course. Just wanted to offer my thoughts.
^^^And Lived Happily Ever After^^^ The End.I bought my Rumble the next day.
This really should be Bass Player Acoustics 101 along with the basics of cabinet coupling effect and Fletcher Munson Effect. People you need to know this stuff.
OK good question @Bizorballs. First lets look at decoupling. Yes, you loose bottom end, but not all of it and not all at once. Lets raise your combo or cabinet up on a milk crate or two. As long as you don't go much over two feet, you're not loosing much at all, and nothing EQ couldn't handle.
On a boomy hollow floor or stage, you most definitely want to decouple to get rid of the boom. You can't do it effectively with EQ, you must decouple. Not only that you should use an isolation pad/platform such as an Auralex GRAMMA. Another new product is the Mud Stand if you have a combo. For a belt & suspenders solution put your Mud Stand on top of an Auralex GRAMMA. The GRAMMA gives your amp a new acoustically neutral 'floor' on which to recouple without any bottom loss and no boom. To my ear it also helps to tighten up the bottom, so I use one all the time.
Try this -> Take your amp outside and set it on good old Mother Earth. Play. Now put it on a GRAMMA. Play. What difference if any do you hear? Now put your amp on a hollow stage in a large room with hard reflective walls; and floor. Play. Now use a GRAMMA. Play. Now fill hall with happy shiny people. You & band play. Write down all scientific acoustic observations and report back with substantial findings. Draft and post new 'Rumble Talk'.
Ha!They also don't function as knees very well but that's a whole 'nuther problem.