I think I'd run it in the effects loop if it was my only pedal/effect. Do you DI to FOH through the amp or run on pure horsepower?P.S. Do you run this little guy in your effects loop or between your bass and amp input?
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I think I'd run it in the effects loop if it was my only pedal/effect. Do you DI to FOH through the amp or run on pure horsepower?P.S. Do you run this little guy in your effects loop or between your bass and amp input?
Let me refer you to this post from @Bottom OctaveAnother question about the DI on the Rumble 500.
Does the master (the knob on the far right) affect the gain of the DI?
Here are some numbers: With a nominal -40 dBu test tone at 400 Hz into the input of my Rumble 100 combo, all controls flat (12 o'clock position), I plugged the XLR output into a balanced input of a line level mixer and set the level to read -6 on the VU meter. Rotating the master clockwise from 12 o'clock to 3 o'clock raises the level by 9 dB to about +3VU. Rotating the master counter-clockwise from 12 o'clock to 9 o'clock reduces the level by about 12 dB to -18VU. So under these admittedly primitive test conditions, the sweep from 9 o'clock to 3 o'clock induces a change of about 21 dB (with steady-state tones, VU are equivalent to dB for all intents and purposes).
BUT, if you set the level on your sound reinforcement system after ballparking the master at, say, 12 o'clock, you're only changing that level by +9 or -12 dB even with fairly substantial changes in the master level. If your mixer channel fader is set at the unity gain position, there would be no adverse effects on clipping by raising the amp's master level as above, or on audible noise by lowering the amp's master level, with just about any well designed mixer. It's noteworthy that rotating the master control past 3 o'clock to the extreme clockwise position has little to no effect on the measured output level from the XLR line output (less than 2 dB), with my 100. That may be a result of the built-in delta-comp limiter, but with a -40 input signal, I doubt it.
I love the 75!I have a Rumble75 V2 that has a great tilt-back feature..maybe hard to find nowdays but the single 12" Fender Special Design Speaker does a great job and in your case would act as a very good monitor. I've played a few small outside gigs where the 75Combo more than does the job alhough it is a little on the heavy side..wouldnt bother a younger guy. Pic of mine tilted back.
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Ok. Sounds good. I have never gigged as a bass player yet. Played guitar for over 30 years in various bands. Still looking to hook up with a band. Kind of frustrating right now! Thanks for your direction.I think I'd run it in the effects loop if it was my only pedal/effect. Do you DI to FOH through the amp or run on pure horsepower?
Welcome Rumbler #1088! Sorry it took so long. I didn't see your post previously. Stack them puppies up and Rumble On!Man!!! That was helpful!!! Thanks, guys!!! Now I know. @SoulReflection Dude, that is beyond clever. I think that is my best option.
Now, how do I get a number? Consider this as a request, please.
Welcome Rumbler #1089! In spite of what some old wives tales about mixing cabs, the 2x10 and 1x15 really enhance one another. I have always been a 15 kind of guy, but the mixing here is a good thing. Rumble On!Y'all can add me to the club. Ordered the Rumble 500 combo yesterday. Will be ordering a cab soon, want to hear it at practice a bit first. Probably will add the 115 cab coming from a guy who has always played 15s. Old dog, new tricks I guess.
Welcome Rumbler #1088! Sorry it took so long. I didn't see your post previously. Stack them puppies up and Rumble On!
Ah... but Rumble amps go higher yet! No markers, so when the guitar player decides to go to 11, bump your rumble to about 3 or 4 (o’clock)!!! I have the 500 head, the R410 and the R115 cab. Can’t wait until a guitar player thinks he owns the stage... hah!I am of the opinion that scaring the guitarist with your bass amp is a good thing. Unless, of course, said guitarist then ‘goes to 11’.........
His high frequencies may carry farther-and annoy more people;yers will shake the room!Ah... but Rumble amps go higher yet! No markers, so when the guitar player decides to go to 11, bump your rumble to about 3 or 4 (o’clock)!!! I have the 500 head, the R410 and the R115 cab. Can’t wait until a guitar player thinks he owns the stage... hah!

His high frequencies may carry farther-and annoy more people;yers will shake the room!![]()
I am of the opinion that scaring the guitarist with your bass amp is a good thing. Unless, of course, said guitarist then ‘goes to 11’.........
He who buys the sound reinforcement system be he who decides. Rumble 2800 is within my grasp...
Not a good pitch to her for the Stage 800, IMO.I made a similar joke the other day. I explained the difference between the Studio 40 and Stage 800 to my better half and said, "Do I by the one that I can afford that won't be too loud or do I max out the credit card and make everyone within a mile hate us?" She didn't find it very amusing...
If said guitarist goes to 11 I would take my Ric 4003 and use stereo output with 1 amp/cab behind me for the bass pup and 1 amp/cab right over his side for the treble pup just to make sure he knows I can really scare him.I am of the opinion that scaring the guitarist with your bass amp is a good thing. Unless, of course, said guitarist then ‘goes to 11’.........
Probably just tell him to turn my guitar amp down or stop being a cheapskate and buy his own.If said guitarist goes to 11 I would take my Ric 4003 and use stereo output with 1 amp/cab behind me for the bass pup and 1 amp/cab right over his side for the treble pup just to make sure he knows I can really scare him.
Careful. You buy a Studio 40 for inside the bedroom you're gonna be jones'n for a Stage 800 outside the bedroom lol.I’m really liking the v1 rumble 100 I’ve played a few times recently. I prefer it over a nice hartke 100 combo we use as well, it has a nicer beefier sound, that really fills out. Only thing I prefer on the hartke that the rumble is missing is a compressor/limiter knob.
It sounds more like the hartke has a 1/12 and the rumble has 1/15. The rumble speaker looks slightly bigger, I feel this is the biggest difference in tone.
Very interested in trying a V3 1/15 or even 2/10 rumble, because so far the only v3 I’ve tried is my 1/12 100 combo. Which is great! It’s perfect size and weight for band practice and travelling to a mates place. It’s a little big for the bedroom, if I had the choice, I would get a seperate studio 40 for the bedroom, but there’s no point now I already have the 100.
It’s just looking for a nice punchy lightweight combo later on for medium/ large gigs. Weddings, barbecues, general parties stuff like that. I’m thinking rumble, cos it ticks all those boxes and also costs one of the cheapest at the same time, so it’s a no brainer. Just curious in trying any other alternatives, cos u never know. Thing is everything else that is decent costs double nearly triple the rumble price tag. I love that crisp deep Aguilar sound, and I think the rumble replicated that the closest from other amps I’ve heard.