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To be honest I haven't tried the xlr out, I'd always advise running a DI before the amp, especially on a large gig, unless you have a backup rig ready to go. I've done it this way since being made to look foolish by a failing amp.
what a pill...As You Whine - So Shall You Dine.
Another point of interest on the XLR out, it is post-EQ and volume.
In one of your other posts you mentioned a 300 foot run. That must be a big place. I might be doing an outdoor thing next month and I will have the opportunity to try out the DI there. At 300 feet, a Direct Box after the DI might be the answer. But then again, I an certainly no sound man.what a pill...
anyway about the DI... The block diagram shows speaker emulation on it. Which is odd. It being high impedance, someone here suggested that it might be intended to drive another amp. except if you were doing that, you wouldn't want speaker emulation, just a clean signal. If you wanted to DI to FOH, yes, you'd want speaker emulation. So the XLR by design is a paradox. Still, I've tested it over very short distances and it does work, but if it was pro level it'd be at 600 ohm or less. Too bad, because with the speaker emulation, it's a good idea.
Yep, outdoor. We do a lot of them.In one of your other posts you mentioned a 300 foot run. That must be a big place. I might be doing an outdoor thing next month and I will have the opportunity to try out the DI there. At 300 feet, a Direct Box after the DI might be the answer. But then again, I an certainly no sound man.
Nice! Wondering why you bought a 100 and 200 versus a 500?I am a former Genz Benz Streamliner 900/Genz Benz UBER 410 + 115 player. I am in a working Classic Rock Band that gigs weekly on Saturday nights in Sussex County, New Jersey. At 47, I can no longer lug this gear weekly with my aching back. After researching extensively I decided to give Fender Rumble a shot. Bought a v3 100 and a v3 200 (pictured here). All I can say is WOW. My 100 literally goes everywhere I go at 22 lbs. I play a Fender American P Bass through it and they are a match made in heaven. I have gigged several times with the 100 successfully in a small bar with no PA support. Guitarist uses a Blackstar Club 40 and drummer just plays (no mics). Simple PA for vocals only. When I need more power I bring the 200 which I also love "almost equally". The 200 is magnificent also and has the balls, but I just adore the sound, weight, and ample volume I get from the 100. I actually hooked the 100 and 200 together (200 effect send with instrument cable to 100 effect return) and the overall power may be enough for outdoor summer gigs - they sound great when used together. I cannot believe I got both of these amps for $369 and $269 new at Alto Music in Middletown NY. It almost feels like I committed a crime LOL. I am really convinced, Rumbles ROCK! Please give me a number - thanks.
That's what I did with mine. In my practice space, the Rumble 115 cab made very little difference to the tone. However, sitting the Rumble 500 on it was great because it gave the amp some elevation and some wheels, too. For that purpose, I would have preferred a 210 cabinet because it's a bit smaller.Definitely! Tilt it back or get it up off the stage. I forget who, but they bought a Rumble 115 cab and even though he doesn't hook it up all the time, he always uses it as a very sexy amp stand for his Rumble 500 combo.
Welcome to the Fender Rumble Club, Bob!I am a former Genz Benz Streamliner 900/Genz Benz UBER 410 + 115 player. I am in a working Classic Rock Band that gigs weekly on Saturday nights in Sussex County, New Jersey. At 47, I can no longer lug this gear weekly with my aching back. After researching extensively I decided to give Fender Rumble a shot. Bought a v3 100 and a v3 200 (pictured here). All I can say is WOW. My 100 literally goes everywhere I go at 22 lbs. I play a Fender American P Bass through it and they are a match made in heaven. I have gigged several times with the 100 successfully in a small bar with no PA support. Guitarist uses a Blackstar Club 40 and drummer just plays (no mics). Simple PA for vocals only. When I need more power I bring the 200 which I also love "almost equally". The 200 is magnificent also and has the balls, but I just adore the sound, weight, and ample volume I get from the 100. I actually hooked the 100 and 200 together (200 effect send with instrument cable to 100 effect return) and the overall power may be enough for outdoor summer gigs - they sound great when used together. I cannot believe I got both of these amps for $369 and $269 new at Alto Music in Middletown NY. It almost feels like I committed a crime LOL. I am really convinced, Rumbles ROCK! Please give me a number - thanks.
You are member #388 

Welcome to the Fender Rumble Club, valtron!Hey guys, been following the Rumble club since about October when it became obvious that I needed to upgrade my amp. Been lurking in the shadows and I must say there is A LOT of knowledge in this forum. Did some extensive research and read all the posts, played them all from the 40 and up but I settled on the Rumble 500 combo in order to future proof my setup. A buddy of mine works for guitar center so I wound up getting it for a ridiculous price. Finally ordered it last week and it just came in yesterday!! So far, WOWOWOW! This is the only amp I'll ever need, probably for the rest of my life drool
You are member #389 

The tilt thing seems always problematic for me - I get boom in many of the places we play. although, I usually do elevate the 500 - I just leave it on my rock and roller cart. Maybe a little less than a foot off the ground. definitely makes a diff, sometimes good, sometimes not. I dunno, I like playing with stuff to see how much I can wring out of it. Some call it research, the uninitiated call it whining. I call it fun. It goes like this:That's what I did with mine. In my practice space, the Rumble 115 cab made very little difference to the tone. However, sitting the Rumble 500 on it was great because it gave the amp some elevation and some wheels, too. For that purpose, I would have preferred a 210 cabinet because it's a bit smaller.![]()
Hi Yahboy! {Fender Rumble Club Member #53} It's been a long time since you've been around, so it's good to see you here. Yahboy also modified his Rumble 75. http://www.talkbass.com/threads/fender-rumble-75-watt-driver-upgrade-b12a-2.1002601/Yesterday i visit Music Centre company with my wife, planning to get a Rumble 100 V3 to replace my Bed-Room practice bass amp ~ Rumber 75 V2.
I dint bring my Squier CV 60P along, just try with Store display CV P.
First thing make me shock is it weight, totally not match with it size ~~ Holy-Light!!
Without any tone shaping & Overdrive kick in , play with Flat Equalize setting ,Rumber 100 V3 sound almost same like Rumber 75 V2 to my ear. BUT it sound little open or airly.
When i try Vintage shaping & Overdrive ,both sound really really NICE !!! The Sales personal told me that is FENDER UNIQUE TONE, THAt is THE BIG Bonus in Rumble V3.
I almost wanna let my Credit card a swap , but , i ask my self, i never use shape & overdrive with my Rumble 75, just a clean tone guy, is it worth to get this Wonderful & Nice Retro-Look Rumble 100 V3?
In that moment, my wife ask me try Roland New Vdrum TD-1KV.
In the END...... i bring the Vdrum home.
Hi Yahboy! {Fender Rumble Club Member #53} It's been a long time since you've been around, so it's good to see you here. Yahboy also modified his Rumble 75. http://www.talkbass.com/threads/fender-rumble-75-watt-driver-upgrade-b12a-2.1002601/
Rumble On!
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My Rumble is supposedly out for delivery today!
Funny thing, following the SEUR (similar to USPS here) tracking, when it was in transit it weighed 22.1kg, now it is out for delivery it weighs 18.42kg![]()