I’ve got some more tone technicals for you all.
There is sometimes a flat=good, scooped=bad oversimplification that’s around on talkbass. Just because too much scoop can sound good solo but get lost in a mix.
This: Fender Rumble 500 Frequencies | TalkBass.com
Shows the normal “scoop” with the eq at 12:00. I was a little surprised as I was under the impression the Rumble was pretty flat.
I used to have a Fender Bronco 40 with “amp modeling.” The Rumble setting sounded pretty flat, while the GK and Ampeg settings were scooped and the SWR Redhead more treble biased. There were also bass heavy amp settings. (I sold it as it was small and too many distractions; I just wanted a straight amp with eq that sounded like itself). The Ampeg setting was especially dramatic sounding, with a thick bass response, I think due to scoop and compression.
This “Ampeg setting” reminds me of that from the Bronco:
Fender Rumble Club
Nice dramatic bassy setting, really fun. But I can see where it could get lost in a busy mix except for the low bass indistinct hum. At any rate, the scoop on the Rumble is apparently relatively mild.
Yeah, Doug, the XLR Out and Headphones both take a hefty -11dB scoop between 500-600Hz and people rave about the great tones from them.. And the Contour button makes a whopping -17dB scoop at 700Hz! So, the "all 12s" setting's scoop of just -4dB at 600Hz isn't really so much by comparison.
Sorry you didn't like your Bronco 40 modeling amp. I had its predecessor, the B-DEC 30 bass/effects/cab/drums modeler, and loved it so much I couldn't wait to get the new Rumble Studio 40 modeler (though I miss the drums). I love the versatility and flexibility of them, even if I don’t always use it much in gigs & jams.
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