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Fender Rumble Club

Great question, made me get a flashlight and look. Can't see one.
But it is there, bottom picture, right side:

20160417-IMG_1269.jpg


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If you like tech stuff, this picture is also interesting because of the modular component design Fender chose.
The 500C has three circuit boards: the pre-amp (with the pots and tone controls), a board with all the connectors and the power amp board.
By swapping out the power amp board for another type you get a 40, 100 or 200.
And by swapping the connection board with one which has angled connectors on the long side (instead of mounted flat on the board) and a different case, you get the 500 (or 200) head :)
 
If you like tech stuff, this picture is also interesting because of the modular component design Fender chose.
The 500C has three circuit boards: the pre-amp (with the pots and tone controls), a board with all the connectors and the power amp board.
By swapping out the power amp board for another type you get a 40, 100 or 200.
And by swapping the connection board with one which has angled connectors on the long side (instead of mounted flat on the board) and a different case, you get the 500 (or 200) head :)
Smart and economical design, which also ensures that different models also sound more or less identical. I like it.
 
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Reactions: RedVee and eric_B
If you like tech stuff, this picture is also interesting because of the modular component design Fender chose.
The 500C has three circuit boards: the pre-amp (with the pots and tone controls), a board with all the connectors and the power amp board.
By swapping out the power amp board for another type you get a 40, 100 or 200.
And by swapping the connection board with one which has angled connectors on the long side (instead of mounted flat on the board) and a different case, you get the 500 (or 200) head :)
Fender's Principal Engineer, Dave Lewis, and his design team are smart folks. :thumbsup:
 
Just thought I'd share a picture of the settings on my Rumble 100. Regular channel with no buttons pushed. I've tried other settings, but in a live club situation, it always ends up right back like this. I use very similar settings on my 200. I play an American Fender Precision. This extreme setting gives me a powerful, modern tone that is easy to feel and hear. It never gets muddy. When I dig in a little, it bites back a little in a good way. This setting might not sound great at home for practice, but with drums and guitar it really does it for me.
DSCN1538.JPG
 
My appreciations coming from a GK MB115 to the Rumble 200:

Totally different sound from the GK, while the GK I had it flat most of the time, now I have to lower the HI MID to like 9 o'clock and push the bass a bit around 1 or 2 o'clock. So I guess the Rumble is more mid-oriented than the GK.

I'm using my 5 string Jazz and so far that is almost the only correction I have made. I love that if I push the bass control on my bass preamp, it handles it perfectly well and defined.

I really like the Vintage setting and also like the Contour setting, I use them separate but I like them. Bright setting I do not use it much, just when I connect my Ibanez since that bass is way more dark sounding.

I'm still getting used to the sound/tone, but I like what I can do with it so far :)

Larry