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Fender VS Yamaha. Heart vs mind

Nothing wrong with wanting a Pbass that says "Fender" on it. We all search out most instruments based on looks and brand to a large degree. Aesthetics and all that are important to enjoying your instrument. Heck, when it comes to Fender, ain't gonna lie, I prefer good 70's ones because I like the logo better.
My US Lakland is my "best" pbass, but I have Fenders as well, and they all sound and feel a little different and all do the "P thing".
And in some situations it absolutely doesn't hurt to walk in with a P that says "Fender" on the headstock (IK there's lots of squabbling about that on TB, but it's simply a fact). I say this as a working pro doing sessions, etc.
 
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Perhaps a further relevant thought.

My two main players are a MIM Fender Jazz Bass ( 4 string) and a Yamaha BB1025x (5 string). I split time evenly between the two of them in 3+ hours per day that I practice or gig.

I totally enjoy both of them.

The J plays like a dream. The Yamaha plays like a dream.

The combination of the two has almost eliminated GAS for me. Seriously.

YMMV, of course. But in my experience, both are winners. And I see no problem or conflict with that.

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Or put the "GAS guy" in your head on pause and use that money as a start to save up for a nicer Fender or Fender-like. You could buy the "compromise" bass, but theyn you'll be thinking about the one that got away and putting yourself further in debt.

Bottom line is you want a bass that inspires you. The bass you WANT to pick up and play, that you make time to play no matter how busy you get, the one that makes you sound like yourself, the one that feels like an extension of your body. When you find a bass that allows you transfer what's in your head to the instrument without really thinking, that's your Excalibur. Price tag be damned.

I post this video all the time, but it's helped me put my own GAS into perspective:
 
I'm all about mustangs now, but for a while the five string pbass did everything for me. I had a fender american pro, but when I really looked into the blackened crusty remains of my heart, a Yamaha BBP35 was my dream bass. So one day I had one transferred to a local store and bought it. The fender was nothing special, just a good worker. I did have to modify the bridge and shim the neck to get the action where I wanted it, but I did get it set up fantastically well. The Yamaha also set up ok, without real effort, but just never felt as good. It felt hard, where the fender was like a nice steel tractor seat - also hard, but the right shape to be comfy. Maybe it was just that the fender was the shape I expected it to be, the Yamaha always felt like someone else's bass. I also couldn't get the sound I wanted out of it. I could make it sound fantastic, but when I got up there I had to just solo the P pickup, roll off the tone and grit my teeth. Then one day I changed the strings and discovered that I could not get it to set up correctly, and upon closer inspection the neck had developed a twist. I had it for almost a year, was definitely under warranty, but the store I got it from did not want to help me out. I took it to another nearby location of the same store and they said it wasn't that badly twisted, charged me a minor restocking fee and put it on the shelf. It sold the next day.

Ever get that moment when you realize you just wrote a pile of crap that probably means nothing to anyone but yourself? Still posting it, just to get it out.

Hope you pick the right bass for you.
 
Find a pretty one that's not a dud, rather than comparing a dud to a passibly decent bass.

Every mass market brand squeezes out a dud now and then.

Fender makes good basses even in the lower-price cats; neck-dive, hum, etc are not endemic.

And Yamaha has no doubt pinched off a stinker now and then too.

Samples of one are not indicative.

Variation unit to unit exists in all brands, possibly excepting some high-end boutique builds.

And even with them, one hears stories now and then.
 
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