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To the whole thread and industry alike : Albums are like movie posters. They're not your main product, they're advertisement. If you make any profit at all directly from advertisement, it's already a miracle.
OK for all the people shouting "It's against the law!!!", keep in mind that intellectual property is an ethereal argument because it's theoretical ownership of an idea or work of art based on a proposed system to manage it and give someone ownership of it on the basis of...nothing
In business there is a thing called a "lead-in" item, it is an item you lose money on selling in order to get people in the door and buying other things, that you do make money on. If this seems crazy to you ask any business owner, they work fantastic.
In this instance, your music is the lead-in item. You have got them in the store, now get them to buy a concert ticket and some merch.
"Radio quality" means nothing today. Try funding an album with top-notch studio musicians, an arranger, a producer, a good mixing engineer and good mastering without a good budget. Not going to happen. Sure, if you're some indie band it can be really cheap to produce a passable album but to produce the kinds of albums that I grew up loving? Those albums are a thing of the past and it's a damn shame.
And again, I think you're grossly overestimating revenue potential where concerts are concerned - at least for the vast majority of bands.
Whether I lose money or not is beside the point that my property has been stolen. My ability to make a profit on that property is not germaine to the fact that a theft has occurred.
It's not pointless when people are stealing other people's property. How many burglaries take place every year in the US? Worldwide? Should we just say to hell with it and let 'em rip us off blind? Of course not.
That is certainly your choice, and if you choose to make your product freely available, you have a right to make that choice. In that situation your are making a business investment decision to accept some initial losses with the hope of recouping those losses with increased ticket sales.
They are criminals because a) they are stealing my property, and b) it's against the law for them to do that. I will make the decisions I must to stay in business, but I choose not to embrace this new culture of lawlessness and disrespect for other people's property rights and I will continue to name it what it is.
When I was a kid (teenager). 4 kids could write songs, scrap together money for a van and hit the road selling shirts and records.
Good luck pulling that off now.
The fact that no one buys records (in whatever format) HAS NOT ONLY HURT THE MAJOR ARTISTS.
Another option is what Radiohead did with one of their albums. Put it up online, tell the people that it is free to download and let them pay what they think it's worth or feel led to. IIRC, average amount paid was around $12. That seems like a pretty solid move to me, because it's more or less telling the fans you trust them and that you care what they think it's worth and aren't dictating it to them.
That's the problem. Apparently the "free market" has decided the old iTunes model was the wrong way, but at least they tried. The proverbial cat is out of the bag now. Adapt and survive I guess, but it sounds like a lot of whining artists when nobody even mentions the impact of removing all DRM from music files.
I feel that most people aren't thieves, most people aren't particularly honorable, people are just lazy and will procure music however it is easiest.
No, it wasn't.
Do you "free music" people not get the irony that the reason you started this movement was because the records companies weren't paying the artists and were stealing the fruits of their labor?
In business there is a thing called a "lead-in" item, it is an item you lose money on selling in order to get people in the door and buying other things, that you do make money on. If this seems crazy to you ask any business owner, they work fantastic.
In this instance, your music is the lead-in item. You have got them in the store, now get them to buy a concert ticket and some merch.
That is certainly your choice, and if you choose to make your product freely available, you have a right to make that choice. In that situation your are making a business investment decision to accept some initial losses with the hope of recouping those losses with increased ticket sales.
They are criminals because a) they are stealing my property, and b) it's against the law for them to do that. I will make the decisions I must to stay in business, but I choose not to embrace this new culture of lawlessness and disrespect for other people's property rights and I will continue to name it what it is.
What you're missing is that labels now get a percentage of an artists merchandising and ticket sales, which was unheard of ten years ago. In business this is called a 360 deal. They do this to offset the lower album sales due to illegal downloads.
You can argue all you want that "free" music only hurts the labels, but every cent the label spends has to be recouped before the artist sees a dime. This can include merch and ticket sales. So how is an artist supposed to make any money performing when the label gets that too?
Just pay for the music you listen to.
How about, instead of making people pay for the music, let them pay what they want... If they want it for free, fine. If they want to pay, then they pay. It keeps everything under control, legally, the people are happy... It makes sense :\

All hail the voice of reason.
There are lots of good reasons, many of which highlight the benefits to artists, for respecting people's property rights.
However, IMHO, whether music sales benefit artists or sleazy music executives more is simply a gross rationalization for people getting stuff for free that they used to have to buy (ie: steal). The idea that more and more people somehow find ways to justify out and out theft of valuable property to the extent that it's now accepted as simple a "change in the industry" is repugnant to me.
Well, the overwhelming perception is that the artists DID and DO get paid. Can you list some that didn't? The ones that got screwed by their labels? For the record I'm not a 'free music' advocate.No, it wasn't.
Do you "free music" people not get the irony that the reason you started this movement was because the records companies weren't paying the artists and were stealing the fruits of their labor?
Well, the overwhelming perception is that the artists DID get paid. Can you list some that didn't? The ones that got screwed by their labels? For the record I'm not a 'free music' advocate.
There is a great quote from Stevie Ray Vaughn (I think it was him) when he said, "this isn't my music, it's the people's music."
We can all argue until we are blue in the face, the fact is nobody knows what the future holds but I personally see more and more artists "giving away" their cd's like Radiohead did (with great success)...
... and I see business models like your going the way of the dinosaur spending countless dollars persecuting downloaders instead of building better artists.
I encourage people at my band's shows to buy one copy of our CD and share it with their friends, it is essentially free advertising. You view it as stealing, when it could be considered to be a sampler to get you hooked.
Why don't you use that rationale when you go shopping - let me know how that works for you![]()
Well, the overwhelming perception is that the artists DID and DO get paid. Can you list some that didn't? The ones that got screwed by their labels? For the record I'm not a 'free music' advocate.
I see business models like your going the way of the dinosaur spending countless dollars persecuting downloaders instead of building better artists.
I encourage people at my band's shows to buy one copy of our CD and share it with their friends, it is essentially free advertising. You view it as stealing, when it could be considered to be a sampler to get you hooked.
For me personally, I download every album before I buy it unless it is impossible to find, it puts a bigger demand on an artist to release a quality disc instead of the hit single and 11 tracks of **** (Anybody else buy the Spacehog record?). Are you going to stop youtube too? You will protect your cash investment but you will stunt the growth of your audience, which will have a greater affect on your cash investment in the long run.
I do not think anybody is for it when you are referring to stealing a physical album, that is straight up wrong as it costs money to produce that CD with case and artwork.
If no one ever got arrested for stealing a physical album, no one would think it was wrong either.
That is so horribly inaccurate. The fact people get arrested for something is not what guides a persons moral compass.
And when the labels are gone, who will be 'building better artists?
So if by some miracle, one of your songs clicked with the public and it gets passed around and downloaded for free say a few million times, would you be okay with selling a thousand shirts? No? Too many?
I don't think anyone would care about downloading if it could guarantee a resulting sale. A policy of 'try before buy' (including YT) would be similar to radio, which in the old days, would play records on-air for people to listen. If they liked it, they could buy it. A few people would tape off the radio, but often the quality would not be the same, and it was small potatoes anyway. But it's not a 1-to-1 ratio of d/l to buy.
I see a lot of fact-twisting in the argument for stealing, such as it's 'the future' and a sort of majority rules nonsense, etc. Flawed studies are thrown up to show that 'illegal' downloaders buy more. Car thieves might buy more gas than most people; so what? But as many people have pointed out, it's just stealing in the end. People who steal will always find a way to justify it. Saying it's a good thing does not make it so.
Yes, really. Name names.