The retail music industry is hurting as a whole. The kids have their heads plunked in front of their smart phones and aren't interested in learning music. Local bands around here are disappearing and the number of places to play have shrunk, too.
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^This.^ Fender i.e. Squier has been a bit kinder to lefties than Gibson/Epiphone. Ibanez is even worse. I love my two Ibby's but they seem to make most of their lefty's in black. Like For Model T's!View attachment 2680502 I have this T-Bird; a '13 Gibson. And I consider myself extremely fortunate to have it, too. While Gibson doesn't make lefty basses very often, they do make them. Epiphone? Love to have one, but "Left Handed" is not in their vocabulary when it comes to basses. Not sure it ever has been, to be honest...My only lefty Epi is a Matsumoku-made EA-250 guitar - made 45 years ago. Until Epiphone pulls their finger out, I'll wait 'till Gibson decides to make a handful of lefties again (rumor is, 2018), then grit my teeth and pay up...![]()
The retail music industry is hurting as a whole. The kids have their heads plunked in front of their smart phones and aren't interested in learning music. Local bands around here are disappearing and the number of places to play have shrunk, too.
I saw the article several days ago. Fender is also struggling. I think there are several reasons for this. People who grew up in the 60s, 70s and 80s remember buying used Gibson and Fender guitars and basses for $200 to $400. In the late 70s I purchased a 1972 Precision for $235 and 1978 Jazz for $275. Many bassists and guitarists my age have a difficult time justifying paying $1,500 and up for an MIA Fender and more than $2,000 for a Gibson because they remember paying much less. Yes, everything costs more but when you consider that Fender offers MIM and Squier and Gibson offers Epiphone, it's no wonder that sales of US made guitars are down. Let's say you have $700 to spend, would you buy a new MIM Fender or a used MIA? Most people would buy the used MIA. Then consider all of the competitors which have entered the market. There are many low to moderately priced European and Asian made basses that sound and play just as well, if not better, than MIA Fender and Gibson. An instrument that is taken care of will last decades and the market is now saturated with good quality used instruments. Add to that the fact that fewer young people are playing instruments and it all adds up to trouble for guitar and bass manufacturers who think that they can justify high prices just because of brand name recognition.
I have a 2017 EB 4 banger!! Check my avitar!
And how many years have we heard GC was circling the drain?
There is also the fact that they are constantly adding new locations and a buttload of their existing locations recently received major remodels, which certainly does not sound like an organization on the brink of financial disaster.
Its incredible how long any medium to large sized company can draw out the inevitable. I've seen obviously doomed companies drag on for a decade or more.Not surprising for me. I dated a girl whose father worked for Gibson in an upper level accounting/finance position for a very brief period of time. He said it was a sinking ship, and that was back around 2011.
Acoustic is a joke compared to its roots. Now its just a name on a low quality amp. ( not to offend those who play through a newer one). I owned serveral of the older ones from the 1970's, these days I wouldnt buy one but that's just me.Not gonna happen - even Kustom and Acoustic are still goin' strong LOL.
and how much were you making in 1972
What was the average wage, $4 an hour?
You cannot look at prices in a vacuum. Prices were lower, as we're earnings. There is a very small difference between $300 in 1972 and $700 today.
I hear tell that Uli Behringer is looking to acquire another distressed formally high end company.
Interesting. I have had and still have a recent les Paul standard and my 1991 studio is beat and has blmany extra holes from mods over the years and it's the best one I've ownedI have a 96 Les Paul Studio, bought when I was a DINK and not much understanding. I've since played several Epiphone Les Pauls that cost about the same in 2010's dollars and have much better build quality. When I see the prices of any Gibson in the Sweetwater catalog I think to myself that there's no way, even if I had the cash available, that I would pay that much for one.
Before anyone chimes in with "price is what the market will bear," I get the concept. My opinion is that they are overpriced and it makes me wonder if it is the sign of a company who is jacking prices up to make up for lost sales volume.
But it would be a sad day when a company with such a history would close its doors, same as it will be a sad day (from a nostalgia standpoint) when Sears closes its doors.
CPI says $300 in Sept 1972 is $1744.32 today.
The same was true when Behringer bought Midas - "No Behringer" was on every rider but now the Behringer X32 mixer is probably the most common mixer out there in the sub-arena-sized venuesI would love to see that happen to be honest. Guitarists would have so much mental dissonance between wanting a Gibson, as most of then do, and not wanting anything made by Behringer.![]()
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