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Finger board question

@Junkballer

I might be very interested in some of those boards - can you shoot me a message with prices and pics (shipped to Austin, TX) ? Would love to see if I can put together an order. I have a could other luthier friends here that might be interested as well.

Thanks,
Andy
 
What most folks who build instruments refer to as "tonewood" wouldn't normally be associated with good choices for fingerboards.
There is at least one luthier I know of that insists that tonewood in the neck is more important than the body, and that the tonewood of the fretboard is the largest contributor.
 
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There is at least one luthier I know of that insists that tonewood in the neck is more important than the body, and that the tonewood of the fretboard is the largest contributor.


I too am of the opinion that the neck woods and construction have more influence on the sound than the body wood. Not saying that body wood doesn’t matter, just saying that I find the neck matters quite a bit more overall.

Just my opinion.
 
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I too am of the opinion that the neck woods and construction have more influence on the sound than the body wood. Not saying that body wood doesn’t matter, just saying that I find the neck matters quite a bit more overall.

Just my opinion.
I think that the body wood starts to take on more importance when it's a hollowbody instrument, and to a lesser extent when chambered.
 
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There is at least one luthier I know of that insists that tonewood in the neck is more important than the body, and that the tonewood of the fretboard is the largest contributor.
The longer I do this the more true I think this is, at least the neck influence, at least with solid bodies, and to some extent the fingerboard as well. I also wonder about the joint between the two-would any tiny cavities there be sound-killers? I think this is especially true when it comes to a high-quality 5 or 6-string neck.
 
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