Hi everyone, I would appreciate some help concerning bridge position on my bass...
If I place the bridge centered between f holes (feet equidistant from inner f notches), it does not align properly with the fingerboard, it gets set towards the bass side. If measure at the end of the fingerboard there is 2mm more space between the G string and the edge of the fingerboard, compared to the E string.
So what would you favor when positioning the bridge, considering both aspects of bass health, playability and tone quality?
- Is it better to align the bridge/strings with the fingerboard? Thus the bridge will stay misaligned on the top, feet will be closer to the treble side f notche (2mm difference). Is it a deadly sin?
- Or should I put the bridge centered between f holes and leave the strings not aligned with fingerboard?
Currently the bridge is set centered on the top, and the result is a slightly weaker G string, kind of Christian Mcbride sound, big E, A, D but less ressonant and more percussive G string. If I center the bridge on the fingerboard I have an even tension on all strings and improves tonally specially for capo, but then I don't know if I am damaging the top since the bridge is not centered between F notches...
Any input will be highly appreciated.
Cheers from Sao Paulo, Brazil.
If I place the bridge centered between f holes (feet equidistant from inner f notches), it does not align properly with the fingerboard, it gets set towards the bass side. If measure at the end of the fingerboard there is 2mm more space between the G string and the edge of the fingerboard, compared to the E string.
So what would you favor when positioning the bridge, considering both aspects of bass health, playability and tone quality?
- Is it better to align the bridge/strings with the fingerboard? Thus the bridge will stay misaligned on the top, feet will be closer to the treble side f notche (2mm difference). Is it a deadly sin?
- Or should I put the bridge centered between f holes and leave the strings not aligned with fingerboard?
Currently the bridge is set centered on the top, and the result is a slightly weaker G string, kind of Christian Mcbride sound, big E, A, D but less ressonant and more percussive G string. If I center the bridge on the fingerboard I have an even tension on all strings and improves tonally specially for capo, but then I don't know if I am damaging the top since the bridge is not centered between F notches...
Any input will be highly appreciated.
Cheers from Sao Paulo, Brazil.