I want to add something to my previous comment..
About a week ago I had an urge to go try the Sterling Stingray Ray5's that were $400 at GC. There were a couple dudes in the corner plugged into this MarkBass amp, but I was relegated to the Ampeg, Peavey, Fender corner. When initially playing I thought the Ray5 was a decent enough value, but if I were to buy a Stingray model it would be the next level up...
But after the other guys left, I moved over to the MarkBass amp with the Ray5... and HOLY SCHNIKES! I had a different sounding bass in my hands- by a mile. If it weren't almost twice the width and 8 pounds heavier than my Gallien-Kruger MB-112 I'd sell the GK and get the Mark Bass. I think my next choice would be the TC Electronic BG250-112 combo, but they are rare now and hard to find, even used.
The other thing is that I've recently discovered is how much difference different strings can make on different basses. My Yamaha TRBX605 loves Ernie Ball Cobalt flats or DR Pure Blues, but sounds crap with standard D'Addarios. My Ibanez TBT675 sounds awful with LaBella's sounds OK with NYXL's, but is so great in sound and feel with cheap Ernie Ball Slinky. So, that too has to be a consideration. I almost returned the Yamaha because of the sound with the stock strings and an 11th hour experiment with the Pure Blues saved it from going back.
As a side note to the OP... My FIRST 5 string purchase was the BTB, which I thought was too big. I got it used and had a 45 day trial period. Thinking it was too big I ordered the Yamana (new) within a day or two of having the Ibanez. So the trials of both basses sort of conincided. During that period, my hands grew into the Ibanez, also lowed the Yamaha and I ended up keeping both. Until I recently, 3 weeks ago changed the strings on my Ibanez the Yamaha was my go-to gig bass. When I changed strings on both, I suddenly preferred the Ibanez and was not so fond of the Yamaha. The last 3+ weeks I've been playing mostly the Ibanez and even though being a 35" scale, a wider FB and nut my hands have acclimated to it. Within a week or two of mostly playing the Ibanez BTB my hands now know where to go without looking. I'm sure that now to go back to the Yamaha I'd have to endure a re-acclimitazation period where my hands would again know where they needed to be. I also have a Fender MIM Jazz 5 which is a gorgeous instrument, over-improved for sure and is marvelous. The problem is that it's in too perfect condition to want to take to gigs when I have two other basses that don't have that gloss finish that can be easily damaged. I guess that's my schtick. But FWIW the Jazz5 has a 9.5 radius fingerboard which adds another dimension to the feel, which has a totally different feel than my Jazz4 with the same radius.
Last thing... I remember when I first transitioned to being a bass player and was looking for my first 5 string I recall going to Music Exchange in Chicago and playing some "higher end" basses. I can tell you right now that I was not a good enough player to appreciate the "quality", let alone the price of some of the more expensive basses. I'm not sure if I would appreciate them now.... Ok... Maybe a Ken Smith

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