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Flatwound strings - Fender P bass

On a classic 4 string P-bass 20 frets long scale 34''


  • Total voters
    57
  • Poll closed .
Between the two mentioned, I would take the Ernie Ball over D'A.
+1

did not care for Chromes, but also I admittedly tried them YEARS ago before I even liked flats at all.

currently rocking TI flats and like them a lot. They’re a little loose feeling but I’ve gotten used to it.

previous favourite set was GHS Precision Flats.
 
Hi all :)
Question is easy - I ve got a classic 4 string P-bass 20 frets long scale 34''
would like to try some flatwounds on it and I narrowed it down to

- D'addario chromes 45-100

- Ernie Ball group III 45-100

Any advice?

Thank you :)

I can't vote because those are the same same strings. D 'Addario makes these for Ernie Ball, and as far as I can tell they are the same strings in a different packaging. The only difference is the lack of colored ball ends

As for me, I prefer La Bella 760FL on a P-Bass, but I'm specifically looking for the classic, old-school sound when I am using flatwounds.

- Steve
 
I go with Chromes on my personal basses. I also play drop C tuning metal on a fretless jazz bass and I find they sound great and have perfect tension in drop tuning. I was thinking of trying out the cobalt flats, but after trying the cobalt rounds I put that idea on the back burner. They work well with a bit of grit and don't get all mwah on me like rounds.
 
Flatwound strings - Fender P bass

Yup
james-jamerson.jpg

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That's the joints I be using on one of my Ps
Emphasis on Let's work
:D
 
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Per the choices given: Group Flats....Just tried the Group flats for the first time and A/B'd them directly with Chromes. I'll confirm that the Group Flats are highly underrated and a set everyone should try IMO. Really dig them. Similar to Fender 9050s but less growl to them. Chromes were just kind of meh to me. They were fine but I think there are better sets out there. To the claims that say Chromes and Group Flats are the same string...they are dead wrong. Just because D'Addario makes them doesn't mean it's just a repackaged Chrome.

Personal favorites on a P Bass not on the list...TIs, Dunlops, La Bella LTFs...in that order
 
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Good to know. I put the same gauge Chromes on my 63 p bass and think they sound great. I’m a little concerned that there’s a lot of tension on the neck though. Seems like the action is a bit higher than it was with roundwounds and the string tension when playing is a bit snappier than with roundwounds.

Ive been meaning to take it to my local luthier to make sure, but should I be concerned about over tensioning the neck with flats?

Sounds like you need to adjust your truss rod to account for the higher tension. If you’re not comfortable doing it yourself then yes have your luthier set up your action. But it won’t hurt the neck having slightly raised action.
 
View attachment 3948541 My '78 P-Bass, just before I took the Fender 9050L flats off, and replaced them with a set of 45-105 GHS Precision Flats. Both of which I would recommend over your choices; the Fenders if you want very good, very versatile, "modern" sounding flats; the GHS Precisions if you want Old School Thump. You can probably guess what I want from my P-Bass; but with 22 other basses? I don't need versatile from this one. The Fenders are currently living on a different bass, and I'm very happy with them there, too. Of the two flats you're looking to try? I'm only familiar with the D'Addario Chromes.
View attachment 3948551 I have a well broken-in, salvaged set of them on this '15 G&L Tom Hamilton Signature ASAT Bass. While I normally never use D'Addario strings, I tried the old Chromes - just for the Hell of it. And, on this active bass with "Hamiltone" custom wound pickups? I have to say that I'm very favorably impressed. However; how long will the niceness last? I have no idea; they weren't exactly new when I salvaged them, and that was several years ago. And there are only one or two other basses I own that I would even think of trying flats that bright on - and my P-Bass ain't one of them. But, a fair number of folks around here do - and seem to like them. As for the EB Group IIIs? Those are one of a very small group of flats that I've never tried. So, I can't say yea or nay; but, again; other people seem to like them. And, I respect iiipopes opinion and recommendations; If he says they're good, I'd give them a try...
Bottom line? The only real way to know if the Chromes or the EB Group III's are right for you - is to try them. My ears are not your ears; my hands are not your hands; and I'm an Old Fart who's permanently stuck in the early '60s, anyway. So, I doubt we like to play the same things, either. Maybe one of them is just what you want...:whistle:
Thank you very much for replying! Great post! clear and helpful :) :)
 
Honestly youll get more people saying d'addario because its a more popular brand. The ernie ball flats will give you a tone that you cant get anywhere else. I say you should try both tho. I play ernieball flats exclusively pretty much
You're right! That 's what I thought too. About D'addario being more popular. I think in the end I will have to buy few different sets and try them all to find what I like the best! Same as I've done for the round wound :)
 
Question: have you ever used flats on your P or any bass for that matter?

I put LaBella Deep Talkin' Flats (the ones Duck Dunn supposedly used) on my P bass and managed to mangle both my right hand and the truss rod and I'd played bass for a long time before this occurred. My point being: make sure you know what you're getting into.

I've gone thru various sets from those LaBellas to Chromes (hated them) to Half-rounds (ugh!) to Pressurewounds (great!) to TI's (also great) as well as LaBella Low Tension Flats (great as well) + a new neck.

I found the LTFs to be the easiest on my right hand and the TI's to be a bit metallic in comparison. That said, the TI's have been on my bass for the longest time so far but I may go back to LTF's for a while and if I ever pull the trigger in a SS bass I'm putting the Pressurewounds on it.

The short answer: experiment. Your mood & requirements will change over time. Have fun! :thumbsup:
I’m on similar path .. spent a lot of money first to try several flats models, then to settle on TIs and now, after reinstalling LTF-4A on a J-bass, I’m thinking of equally subdividing my stable between TIs and La Bella LTF-4A.
However, just for familiarising yourself with flats, you may try those made by Fender .. not expensive, solid tone, miedium-high tension but manageable!
 
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Hi all :)
Question is easy - I ve got a classic 4 string P-bass 20 frets long scale 34''
would like to try some flatwounds on it and I narrowed it down to

- D'addario chromes 45-100

- Ernie Ball group III 45-100

Any advice?

Thank you :)
Tried Chromes (good overall) but not EB Group III so I can’t actually participate to the poll although I’m curious to check the impressions of TBers who have used the EB strings ...
 
I can't vote because those are the same same strings. D 'Addario makes these for Ernie Ball, and as far as I can tell they are the same strings in a different packaging. The only difference is the lack of colored ball ends

As for me, I prefer La Bella 760FL on a P-Bass, but I'm specifically looking for the classic, old-school sound when I am using flatwounds.

- Steve
Where did you get this info re EB Group & D’Addario Chromes being the same? Very interesting!
 

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