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foam muting?

I keep some foam in my gig bag, as I go through moods where I really like the muted tone and shorter sustain it gives. It takes out a lot of the string noise, too. It's pretty much an "old school" sound. I had to try a few different pieces of foam to get the right density, as foam that was too hard changed the strings too much, while really soft foam did very little to the sound.
 
I carry a couple of pieces of foam, they mostly affect the D and G strings. I use it on the old school country stuff like Patsy Cline etc. It's fun to play stuff high up the neck on those two strings with a real fast decay. This is just for my own amusement, I don't think anybody else notices. Not even the band.
 
I've used foam stuffed into "ashtray" bridge covers before, and I currently play a '65 Magnatone Hurricane Bass with an adjustable mute mounted in the body (looks/works like an adjustable tom/bass drum mute, it's not my main gig bass). The sound is killer, but too much pressure on the mute can "displace" the bridge saddle placement, and throw your intonation out. I've developed a muting technique now where I lay my pinky across all 4 or 5 strings right at the bridge and play just with my index finger in a 'hook'. I use this technique in my current cover band for "These Boots were made for Walkin'" and "Hoochie Coochie Man"- sounds good! I'm working more on my one finger dexterity (it's all Jamerson used...) and I'm gettin' pretty good at using my fingernail for a pick sound and "double picking" with it (using both strokes for SPEED). I think I read somewhere Chuck Rainey does this, but I can't think of any of his recordings that feature that kind of sound.

The pinky muting technique is totally pressure-adjustable on the fly, and doesn't seem to affect my intonation.
 
My first bass came with foam muting.
But as I was mostly using it for hard rock & heavy metal it didn't sound right.
I have plans to build a new body for it (And use the body as an SG copy-as it was an EB-3 copy) to give it more mass--which would make the difference-according o an "expert" i knew.
But one day I changed the strings and removed the foam and it sounded the way I wanted it to.
Which is a good thing or I may have ruined the bass.

But for some music the muting sounds good.
The best way to do it if you use/like muting is to make it something you can have or not have--or to have multiple basses-with & without foam muting.
 
These 3 of mine have foam mutes, and each gets used quite a lot. The Ricks are nice, because they're adjustable; the P-Bass, of course, is not. The muted sound is very appropriate for a lot of the music I like to play. That, plus being an old fart, is probably why the constant obsession with sustain on TB is always mildly amusing to me. I remember when sustain was a thing to minimize; and a foam mute was a good way to do it. :)
 

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