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Fodera Club Part III

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Here's mine, the grey is the bottom....
 

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Thndrstk6 -- You rock!!! Thanks! Also, your mock-ups just made me change my hardware specs...gold for the chestnut and Black for the Maple Burl! BTW, just an FYI and please do NOT spend any time adjusting these, but dual coil basses have three toggle switches.

Cheers!

J

JT, I did them both with gold and black hardware for you. Let me know if you need any changes.

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T Also, your mock-ups just made me change my hardware specs...gold for the chestnut and Black for the Maple Burl!
J

I actually like it the other way around. I hate gold hardware but think it looks nice on the maple burl. To me, the black hardware matches the black lines in the chestnut....either way you're going to end up with some really beautiful instruments.
 
Thndrstk6 -- You rock!!! Thanks! Also, your mock-ups just made me change my hardware specs...gold for the chestnut and Black for the Maple Burl! BTW, just an FYI and please do NOT spend any time adjusting these, but dual coil basses have three toggle switches.

Cheers!

J

Yeah that's why I did them both with both hardware colors. I thought
that your original choice was backwards after I saw them finished. I
think it has to do with the inlays. The black hardware helps the look of
the ebony inlays and the gold hardware helps fancy up the more plain
look of the chestnut. It's a good balance. Glad I could help. Thanks for
the info on the 3 switches BTW.
 
Yeah that's why I did them both with both hardware colors. I thought
that your original choice was backwards after I saw them finished. I
think it has to do with the inlays. The black hardware helps the look of
the ebony inlays and the gold hardware helps fancy up the more plain
look of the chestnut. It's a good balance. Glad I could help. Thanks for
the info on the 3 switches BTW.

Interesting...I can totally see that.
 
BTW, the chestnut will be significantly darker and richer looking when finished. I did not put any Shellac on that top for fear of it warping. In real life it is actually quite stunning with a fair amount of flame and color nuance...and, of course, I have to leave the truly killer Chestnut for our customers -- we only have like 4 or 5 pieces left!
 
BTW, the chestnut will be significantly darker and richer looking when finished. I did not put any Shellac on that top for fear of it warping. In real life it is actually quite stunning with a fair amount of flame and color nuance...and, of course, I have to leave the truly killer Chestnut for our customers -- we only have like 4 or 5 pieces left!

I really like the piece that you chose. I've always preferred more understated woods for tops. It reminds me of the chestnut on MG's original bass. I loved the look and sound of that bass. The alder/maple/ebony/Bartolini bass....great bass.
 
I'm in! Nothing actual that I can share now.. but mine is on order and hopefully due on Dec 2011. :D Can't wait! :bassist:

Spec:
Top: Bolivian Rosewood /Sapwood Top (two-pieces), Matching Headstock
Body: Walnut Body (Smaller version, as compact as possible), Flamed Maple Tone Block
Neck: 3 Piece Ash Neck, Purpleheart Tone Block Accent
Fretboard: Ebony Fretboard with 16.5 Bridge Spacing, Abalone Dot Inlays
Pickups: Fodera Dual Coil? with Ebony Wooden Cover, Non Exposed Pole Pieces, Gaboon Ebony Ramp
Preamp: Fodera Mike Pope Preamp with Matt Garrison Knobs Layout
Others: Black Hardware, 33' scale, 26 frets, No Extend B Headstock,

A mock up:
4192644066_769915a6aa_b.jpg

dude thats a nice bass
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