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Fodera Club

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yeah, it's easy and in a 5 week month you sock away $100. any chance i get where i come into some odd cash (selling something that i don't use anymore or random check like a rebate or a gift or whatever...) i toss it into the 'gear fund' - buy, sell, trade...up and down to find what you are looking for. you'll learn a lot in the process.

i just sold my way out of this club today. sold my 2nd fodera (killer instrument but not really me) and hope to put the money towards something else that i'm really into. bass is a great hobby (whether you are a working pro or just a pleasure player like myself) if you really enjoy it, why not get a chance to play all sorts of instruments? i can combine this cash from the sale with the gear fund to get something wild or custom or do as black.rose and pick up a few less expensive, yet quality instruments that i've had my eye on. i've made many moves simply to enhance the gear fund. even while selling my emperor i was offered 2 very high end basses for my fodera. had i done the deal and spent the time selling the other 2 basses, i would've ended up with a lot more than the value of the Fodera (and had the chance to own a few other basses that in the end i might have kept and been happy with). there are a lot of ways you can build up your gear when you are willing to buy, sell, and trade your instruments to see what's out there. when doing that, be warned, you WILL sell or trade instruments that you'll later regret parting with, it's inevitable, but worth it in the end if you end up with something you'd have never tried.
 
Hey cosmicevan, you're not with us anymore????
You sold your monarch?
Anyway, you will be with us again sooner or later lol.

You are so right about regretting some instruments, sometimes I think of some basses that I used to own and that I really liked, but, hey , these basses are not scarce, I can always buy one of them (Fender basses in this case), of course for a custom instrument, it's harder because you know that you won't find the exact one that you owned.

But I really agree with Cosmicevan, it's great for the experience of getting instruments and brands that you've never played before.
Ang gaining this experience allows you to know what works for you and what don't.

In my case, I know that the fodera monarch I have is the bass that allows me to express me the way I want, and I know that the only bass that feels so right in my hand along with my monarch is my fender marcus miller jazz bass, or the fender jazz bass reissue 75.

So trading and selling all this gear allowed me not to waste my time, I know what works the best for me.
 
Hey cosmicevan, you're not with us anymore????
You sold your monarch?
Anyway, you will be with us again sooner or later lol.

sold the monarch a while ago to pick up this emperor (because i wanted a low B)...

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the emperor was a great bass, but found myself reaching for other basses and missing the bass i sold to get the emperor so off it went to a home where it can get the attention it deserves.

not sure how soon i'll be back. Foderas are unreal basses, but i don't know if they are really my thing.
 
A little Fodera History...as most of you probably know, there is a sequential component to Fodera's serial numbers (the custom instruments built in Brooklyn). The first instrument that they made was completed in November of 1983 and was MG001N (meaning "Monarch Guitar, #001, Neck-through neck joint").

The first bass guitar made wears the serial number MB002DB ("Monarch Bass, #002, Dovetail neck joint"). Even though it was #2, it was actually stamped in July of 1983 (BEFORE #1). That is a little nuance about Fodera...the instruments get stamped with their serial numbers when the carving portion of their build is finished, NOT when the instrument is started and/or completed. This distinction allows for situations like this where #1 is actually dated later than #2.

Either way, the first bass made by Fodera was a Koa topped Dovetail neck Monarch. Back in April of this year, Vinny and Joey began building serial number 3,000 and in tribute to that first bass, it too will be a dovetail-neck Koa-topped Monarch. I have no idea when the bass will actually be done, because work on it gets fit in between more pressing customer orders (of which, as we all know, there are many). However, over these past months I have snapped some photos of the bass in progress and have had numerous chances to talk with Vinny and Joey about why it is being built the way it is...

From what I have gleaned, the specs are:

One-piece old-growth Honduran Mahogany Body (selected for tone)
AAAAA Flame Koa Top
100-year-old Brazilian Rosewood Fingerboard (selected for tone)
3-piece hard maple neck (selected for tone)
Abalone line inlay on fingerboard with a flower at the 12th and "MMM" (the Roman Numeral for 3,000) at the 24th.
Proprietary Fodera Dual Coil pickups in Brazilian Rosewood Covers
New Pope Pre-Amp
Medium-jumbo frets (24 frets, 34" scale)

The three wood items noted as "selected for tone" are interesting in that Vinny shared with me that he had many "better looking" pieces of wood in the shop for those parts, but in tap-testing all of the options for tone, he selected the best sounding ones for instrument #3,000 rather than the prettiest. I was actually in the shop on the day that he was tap-testing potential Brazilian Rosewood fingerboards and the one he selected was chosen from well over 25 pieces of raw wood!

Another interesting choice (at least to me) is that they have chosen to go with new Dual Coil PUP's that they have been developing for quite some time that Joey and Vinny feel actually sound better than Duncan Dual Coils. I look forward to hearing them!

Here are some photos....

Tap-testing possible neck billets (the one chosen sounded the best to Vinny out the "more than 20" that Vinny told me he selected from)...

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Laying out the Flame Koa Top....

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The chosen fingerboard assembled to the chosen neck billet. BTW, I got to listen to all of the Brazilian fingerboards as Vinny was tap-testing them and the difference in sound was unbelievable! This piece would have never been selected based on looks alone, but its tone is TO DIE FOR!

So, I guess if Fodera is building bass #3,000 completely to their own specs and knows that it will be a "history piece" of sorts and decides to choose the "best sounding" pieces of wood over the "best looking" ones, this pretty much settles the argument of whether woods matter to the sound of the instrument (at least for me) and just how important the sound of the instruments is to the guys at Fodera! I watched Vinny pass over some of the most gorgeously quartersawn pieces of Brazilian to select this piece and yes, it really did sound substantially better than the pieces he passed over...

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For the body, Vinny chose to use one-piece, old growth Honduran Mahogany. He selected the best "feeling" of two huge boards that he had left in stock and then cut the one in the next image into five pieces (for five body slabs). He then proceeded to tap-test each of these body slabs for tone and, once again, the difference in sound between the individual pieces was significant...especially if you compared the top piece to the bottom one. The difference in tone between adjacent pieces was less significant.

BTW, he had me listen to the differences without looking and I could describe them the same way multiple times and I am NOT experienced at this sort of thing...the slab that actually got selected was from the very top of the board -- the one that Vinny is marking off in the picture. Once again, NOT the prettiest of the bunch, but certainly the most complete sounding...

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I'll have more photos in the coming days!

To jump to post #2 of Fodera Bass 3,000 go here:

http://www.talkbass.com/forum/showthread.php?p=7802703#post7802703
 
A little Fodera History...

Either way, the first bass made by Fodera was a Koa topped Dovetail neck Monarch. Back in April of this year, Vinny and Joey began building serial number 3,000 and in tribute to that first bass, it too will be a dovetail-neck Koa-topped Monarch.

and guess what - you're the one who is gonna buy it , right ?

;)
 
In this next picture, Vinny has begun the process of doing the abalone line inlay around the fingerboard...

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Surveying the nearly completed fingerboard line inlay...

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For the 12th fret, Vinny has decided that he is going to do a lily made of mother-of-pearl and abalone. This inlay work has not yet started, but here is a rough sketch...

IMG_0200.gif


At the 24th fret, there will be the Roman Numeral for 3,000 (which is "MMM"). Inspiration finds itself in strange places (in this case Vinny turned to a book about American coins to look for a Roman "M" that "feels right") and the beginnings of the design for the 24th fret inlay take shape literally on the back of an envelope...

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Until next time....

To jump to "next time"...

http://www.talkbass.com/forum/showthread.php?p=7816285&posted=1#post7816285
 
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