I stand corrected and that definitely won’t do the job.
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I stand corrected and that definitely won’t do the job.
It has extra DSP guitar features (IR) that you don’t need to use.And it's literally in the product name! At least on the Thomann website…
The barefaced single 12" speakers will get you there. I know it's hard to believe, but I play with loud drummers and use one.In my opinion, there is no single 12" speaker that will compete with a "loud" drummer plus other instruments by itself no matter how many watts you try to pump through it (setting aside the fact that a single speaker can only safely handle so many watts anyway), unless we are using a different definition of a loud drummer. Obviously if you have good PA support and monitoring it is a different story.
This.The barefaced single 12" speakers will get you there. I know it's hard to believe, but I play with loud drummers and use one.
The room: Drummer has double kick drums, 5 toms and about 10 cymbals. One guitar player has a full stack with 100W tube head, the other plays a Kemper into a 2x12. PA is set to the brink of feedback, and everyone except for the singer is wearing ear plugs. I use a Tonehammer 500 with a Barefaced Super Mini.
But generally, I agree. A single 12" should not do the trick in a loud room.
It's not only about DSP, the main question is to know wether the driver is optimized for the low frequencies of a bass guitar?It has extra DSP guitar features (IR) that you don’t need to use.
I was looking for an FRFR cabinet for bass a couple of days ago, and this one seems like the best option among the budget choices.
Unfortunately, it’s huge, and I’m looking for something smaller, around 5–8 kg.
Yes! It's easy to call something FRFR and market it towards guitarists, because the most expensive and difficult bit of FRFR is 20-100 Hz.It's not only about DSP, the main question is to know wether the driver is optimized for the low frequencies of a bass guitar.
I beg to differ with you. I was asked to turn down my QSC K12.2 again last night. At the end if the night we did Boogie-Oogie-Oogie and another musician who has been there nearly every week tell me that I killed it. I asked him what was different. He said besides nailing it, the bass cut through the mix so there you go.In my opinion, there is no single 12" speaker that will compete with a "loud" drummer plus other instruments by itself no matter how many watts you try to pump through it (setting aside the fact that a single speaker can only safely handle so many watts anyway), unless we are using a different definition of a loud drummer. Obviously if you have good PA support and monitoring it is a different story.
I beg to differ with you. I was asked to turn diwn again last night.![]()
I have two of those we occasionally use as monitors. I tried one and it got lost in the mix. It couldn’t keep up. It might work in a very quiet setting with a little jazz trio.Electro-Voice ZLX-12P-G2 1,000W 12-inch Powered Speaker with Bluetooth is cheap and has frfr mode. Is it a tt800..... no but it will 100 percent feel right and get the gig done. It helps if the FOH has good subwoofer. You need a good DI but you should have that already.
I'm sure no-one will change his mind at the end of this discussion and it's perfectly fine, but out of curiosity, what brands and models of 1x12 cab have you tried before making that statement?I don't doubt it! I would never suggest a 1x12 can't be more volume than some people would ever need, I just think if someone says a 1x12 is more than enough to handle a situation with a "loud" drummer, other bandmates trying to match the drummer, and not relying on a PA/monitor for a boost, their definition of a "loud" drummer must be different than mine.
I'm sure no-one will change his mind at the end of this discussion and it's perfectly fine, but out of curiosity, what brands and models of 1x12 cab have you tried before making that statement?
FME not all 1x12 are equal, and I know for sure that I could keep up with any drummer and guitarists I know, using my Barefaced Super Compact.
The Greenboy fEARless F112 will keep up as well.I freely admit that I don't specifically recall ever playing a Barefaced 1x12 and they could very well surprise me if I did. My impressions are based on my own experience through hundreds of gigs and rehearsals, mainly in the rock/metal world, with dozens or more cabs of all different sizes, shapes, makes, and models, including my own gear and backlines, but it of course is always possible there is stuff out there that would differ from my personal experience.
Great example that YMMV. It's not hard to find comments where people seem surprised that their F112 was not loud enough.The Greenboy fEARless F112 will keep up as well.
I can cover most gigs, but not all. For those I carry the 12” Sub Prototype (F112 without mid/high). That combination will move some air.Great example that YMMV. It's not hard to find comments where people seem surprised that their F112 was not loud enough.
This cab uses a 3012LF woofer. The driver's sensitivity is 95.5dB 1W/1m and the power rating is 450RMS, 900W Program. A lot of people claim the F112 is rated for 900W, but that is way higher than any of the Eminence cab plans, which are all mechanically limited to 450W or less and require a steep HPF. I believe the F112 tuning is most similar to the 450W ported cab design.
Calculated SPL at 900W = 125dB
Calculated SPL at 450W =122dB
I am sure I could get the job done most of the time with a single F112. However, I think it's highly likely that I would frequently feel that an F112 does not have quite enough headroom.
Program power rating is meaningless, especially for bass, but it is quite a profit center for speaker repair professionals...Great example that YMMV. It's not hard to find comments where people seem surprised that their F112 was not loud enough.
This cab uses a 3012LF woofer. The driver's sensitivity is 95.5dB 1W/1m and the power rating is 450RMS, 900W Program. A lot of people claim the F112 is rated for 900W, but that is way higher than any of the Eminence cab plans, which are all mechanically limited to 450W or less and require a steep HPF. I believe the F112 tuning is most similar to the 450W ported cab design.
Calculated SPL at 900W = 125dB
Calculated SPL at 450W =122dB
I am sure I could get the job done most of the time with a single F112. However, I think it's highly likely that I would frequently feel that an F112 does not have quite enough headroom.