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It's interesting, Everyone mentions George Martin when they speak Beatles but no-one really mentions Eddie Offord when talking Yes. Love his production and input in the Yes on what are my fav albums, Close to the Edge, Tales and Relayer. He did not produce Awaken which is a freakin masterpiece in every way.
Legend
Eddy Offord - Wikipedia
Not for us! As we were listening to Yes in the mid 70s it was very clear from the albums (Eddie was pictured along with the and on one or more albums), from their interviews, and from other press people, reviewers, and bands (ELP!) that Eddie was a huge part of the band and a special producer. My college Roommate Rick Rees was always a fan of him because of his passion for Yes and ELP, so I too have always been aware of his importance.
Recently he became focused on bringing the intriguing story of Giorgio Gomelsky to light through interviews. One of his biggest catches was Eddie! He starts with the Yes history but moves into the Gomelsky stuff later:
Thanks for the share, I really miss album covers where you would see pics of personel on records or studio shots etc. I remember studying Zep 3 while listening and Close to the Edge and Tales covers where you would feel more connected to the music by checking out the artwork.
Goodbye Yellow Brick Road was another great package that I'd sit and study everytime I'd listen.
Now there another brilliant bass player who very much influenced me- Dee Murray- that pic of him in white with his white Jazz bass on GYBR was epic. I got into Elton before Yes and Chris so one of the first bass tracks where I really picked up on a great aggressive sound was this- still one of my fav songs and bass track.
It's amazing how Yes related things keep turning up on YouTube when I'm not even looking..
And this- which I've never seen- about Tales !
I haven't watched it thru yet but it looks very interesting..
My favorite Dean painting isn’t even a Yes cover.
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Agree, that's what I thought way be then when it came out, like from the Fragile album.I think the graphic arts people involved with Avatar borrowed from Roger Dean significantly.
I think the graphic arts people involved with Avatar borrowed from Roger Dean significantly.
It's amazing how Yes related things keep turning up on YouTube when I'm not even looking..
Well, now that you mention it, the bass in "What You Need" feels not unlike when Squire would play a driving part like that(even if in his case he'd only do it for a few bars and then go somewhere elseTho it's probably not so evident in my INXS bass-playing which is more James Jamerson / J.P. Jones - a player who I idolized was Chris Squire.
That's what I read also, plus in interviews re his gear either he wasn't too sure about what exactly was going on in his rig (he had a great long term tech ) or he was being coy about his sound. Either way, it's all a little dream / hobby thing for me as Chris's sound came from Chris, 99%- On Parallels on Going for the one he is on his Jazz- I always thought it was his Ricky.. Plus he was so good he basically got the take with the drum track, as evidenced on any bonus track or video you find.