Hello all. I am patiently waiting for my NS Cleveland and want to ask everyone here about the differences between the Full Circle and the Realist.
I will likely be using spirocores and play through:
Clarus
WW Ultra
Thunderfunk
Acme B1 (one or two)
HT112 (one or two)
Epi 410UL
I dont prefer to use the TF+410UL for DB gigs. This only happens with big parties or wedding receptions where I know most of the night will be loud pop/dance where my Sadowsky 5'er will shine- DB use is minimal but have tried it once in a while.
I play a mix of private/corporate gigs, wedding receptions and small clubs/bars. Our group is a keyboard driven trio (sometimes quartet) and we cover standards, swing, as well as pop/rock/top 40. For bars and small club gigs we take requests all night and depending on the audience we may play standards all night or no jazz at all. I also freelance occasionally with straight ahead groups and have been working with singer-songwriters as well.
The Cleveland hopefully will eliminate the need for amplification when I'm playing where we match to acoustic piano sound level. No matter how high I set my action, my current bass just sounds constricted and despite the best efforts of my local luthier, it doesnt look like it will get any better (he offered that possibly graduating the excessively thick top may help but the heavy lacquer finish was a problem as well).
I'm unhappy with my sound and it usually takes some amplification for me to be heard.
So would most here recommend one pickup over the other?
I would like to get some feedback. I currently use Underwood and purchased a Rev Solo but cant get it to sound right with my current bass yet. No real experience with either the Realist or Full Circle but from my reading here I anticipate the Realist would balance a bit more toward a large, diffuse lows sound vs a more balanced and articulate tone from the FC. What would work best with the Cleveland?
Thanks for the help!
I will likely be using spirocores and play through:
Clarus
WW Ultra
Thunderfunk
Acme B1 (one or two)
HT112 (one or two)
Epi 410UL
I dont prefer to use the TF+410UL for DB gigs. This only happens with big parties or wedding receptions where I know most of the night will be loud pop/dance where my Sadowsky 5'er will shine- DB use is minimal but have tried it once in a while.
I play a mix of private/corporate gigs, wedding receptions and small clubs/bars. Our group is a keyboard driven trio (sometimes quartet) and we cover standards, swing, as well as pop/rock/top 40. For bars and small club gigs we take requests all night and depending on the audience we may play standards all night or no jazz at all. I also freelance occasionally with straight ahead groups and have been working with singer-songwriters as well.
The Cleveland hopefully will eliminate the need for amplification when I'm playing where we match to acoustic piano sound level. No matter how high I set my action, my current bass just sounds constricted and despite the best efforts of my local luthier, it doesnt look like it will get any better (he offered that possibly graduating the excessively thick top may help but the heavy lacquer finish was a problem as well).
I'm unhappy with my sound and it usually takes some amplification for me to be heard.
So would most here recommend one pickup over the other?
I would like to get some feedback. I currently use Underwood and purchased a Rev Solo but cant get it to sound right with my current bass yet. No real experience with either the Realist or Full Circle but from my reading here I anticipate the Realist would balance a bit more toward a large, diffuse lows sound vs a more balanced and articulate tone from the FC. What would work best with the Cleveland?
Thanks for the help!